中国小提琴作品演奏技法探微
发布时间：2018-08-07 17:08
【摘要】： 中国小提琴作品是中西方音乐文化相互交融的结晶。在作品的表演艺术上就必然牵涉到与中国本民族音乐文化相结合的问题。这既包含了文化上、美学上的特定内涵，同时在演奏技法上也自成体系，创造性地形成了一些适用于民族化作品的演奏技法。本文基于五声调式指法规律以及线性音乐美的塑造这样两个大的方面，，对小提琴民族化的演奏技法做出进一步的整理和研究。特点在于从民族化作品所依存的中国传统音乐文化的观察角度，以传统音乐的形态特征作为分析和解决问题的切入点，对小提琴民族化演奏技法的种类、成因、风格把握、尤其是演奏技术原理、练习方法等问题进行了初步的研究。重点在于针对特色演奏技术中的核心内涵来分析可能存在的量化规律，并且总结出一套较为科学、系统的训练方法。文中对此进行了尝试性的探索，旨在通过科学的导入式训练来达到从原有的西方传统演奏方式向民族化特色演奏方式的自然过渡，并且抓住技术环节中的一些核心规律，希望在具体的技术实践领域为中国的小提琴民族化演奏艺术做出有益的补充。
[Abstract]:Chinese violin works are the crystallization of the blend of Chinese and western music culture. In the performing art of the works, it is bound to involve the combination of Chinese national music and culture. It contains both the specific connotation of culture and aesthetics, but also the system of performing techniques, and creatively forms some applicable to the nationalization. This article makes a further arrangement and Research on the playing techniques of the nationalization of the violin based on the two major aspects of the five tone pattern and the shaping of the beauty of linear music. The characteristics of this paper are the view of the traditional Chinese music culture which is dependent on the nationalized works, and the morphological features of traditional music as a form. On the basis of analyzing and solving the problem, a preliminary study is made on the types, causes and style of the violin nationalization techniques, especially the technical principles and practice methods of the playing. The emphasis is on the analysis of the quantitative rules that may exist in the core connotation of the characteristic performance technology, and summarizes a more scientific system. The purpose of this article is to make a tentative exploration in this article, which aims to achieve a natural transition from the traditional western traditional playing mode to the national characteristic performance through scientific introduction training, and to grasp some core rules in the technical link, and hope to be a Chinese violin nation in the field of practical technical practice. Make a useful complement to the art of playing.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J622.1
本文编号：2170748
[Abstract]:Chinese violin works are the crystallization of the blend of Chinese and western music culture. In the performing art of the works, it is bound to involve the combination of Chinese national music and culture. It contains both the specific connotation of culture and aesthetics, but also the system of performing techniques, and creatively forms some applicable to the nationalization. This article makes a further arrangement and Research on the playing techniques of the nationalization of the violin based on the two major aspects of the five tone pattern and the shaping of the beauty of linear music. The characteristics of this paper are the view of the traditional Chinese music culture which is dependent on the nationalized works, and the morphological features of traditional music as a form. On the basis of analyzing and solving the problem, a preliminary study is made on the types, causes and style of the violin nationalization techniques, especially the technical principles and practice methods of the playing. The emphasis is on the analysis of the quantitative rules that may exist in the core connotation of the characteristic performance technology, and summarizes a more scientific system. The purpose of this article is to make a tentative exploration in this article, which aims to achieve a natural transition from the traditional western traditional playing mode to the national characteristic performance through scientific introduction training, and to grasp some core rules in the technical link, and hope to be a Chinese violin nation in the field of practical technical practice. Make a useful complement to the art of playing.
【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J622.1
【引证文献】
相关硕士学位论文 前1条
1 吴玫;岭南音画 粤乐风情[D];南京艺术学院;2013年
本文编号：2170748
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