改革笙“L-36簧笙”解析
发布时间：2018-08-11 10:03
【摘要】：纵观笙的改革,凡是丢掉了笙特有的传统演奏技巧(如滑音、历音、颤音等)以及音位排列散乱,没有规律的笙都会在如何处理好传承与发展的统一点上存在矛盾。正是为了解决这一矛盾,我们研制了L-36簧笙,从中得出了一些经验,这些经验如能为笙的改革者带来一些启示,那是我们最大的期盼。
[Abstract]:Throughout the reform of Sheng, the traditional playing techniques (such as slide, calendar, tremolo, etc.) and the arrangement of phonemes are scattered, and there are contradictions in how to deal with the unity of inheritance and development. It is in order to solve this contradiction that we have developed L-36 Reed Sheng and gained some experience from it. If these experiences can bring some enlightenment to the reformers of Sheng, it is our greatest expectation.
【作者单位】： 四川音乐学院民乐系
【分类号】：J632.12
本文编号：2176672
[Abstract]:Throughout the reform of Sheng, the traditional playing techniques (such as slide, calendar, tremolo, etc.) and the arrangement of phonemes are scattered, and there are contradictions in how to deal with the unity of inheritance and development. It is in order to solve this contradiction that we have developed L-36 Reed Sheng and gained some experience from it. If these experiences can bring some enlightenment to the reformers of Sheng, it is our greatest expectation.
【作者单位】： 四川音乐学院民乐系
【分类号】：J632.12
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