关于复对位、可动对位和繁复对位
发布时间：2018-08-21 13:11
【摘要】：上世纪80年代以来,我国先后出版了十余种具有民族特色又兼容并蓄地融合欧美和苏俄两大复调音乐体系精髓的复调专著和教材。但由于作者的疏忽,大部分教材将不同体系的专有名词或习惯用语加以混淆,从而造成学习者的困惑、不解。影响最广的是将复对位、可动对位和繁复对位这三种意义截然不同的对位技术概念混为一谈。本文就这三种对位的不同内涵和特点,表述个人的见解。
[Abstract]:Since the 1980s, China has published more than ten polyphonic monographs and textbooks with national characteristics and the essence of the two major polyphonic music systems of Europe and the United States and Soviet Russia. However, due to the negligence of the author, most textbooks confuse the proper nouns or idioms of different systems, thus causing confusion and confusion for learners. The most important thing is to confuse the concepts of complex pairs, movable pairs and complex pairs. This paper describes the different connotations and characteristics of these three kinds of opposites.
【作者单位】： 西安音乐学院;中国音乐家协会;
【分类号】：J614.2
，
本文编号：2195839
[Abstract]:Since the 1980s, China has published more than ten polyphonic monographs and textbooks with national characteristics and the essence of the two major polyphonic music systems of Europe and the United States and Soviet Russia. However, due to the negligence of the author, most textbooks confuse the proper nouns or idioms of different systems, thus causing confusion and confusion for learners. The most important thing is to confuse the concepts of complex pairs, movable pairs and complex pairs. This paper describes the different connotations and characteristics of these three kinds of opposites.
【作者单位】： 西安音乐学院;中国音乐家协会;
【分类号】：J614.2
，
本文编号：2195839
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