试论敦煌琵琶谱第八、第十曲主旋律和间奏的特征

发布时间：2018-08-31 13:50

【摘要】：从陈应时先生的敦煌琵琶谱译谱中,我们看到了他为解读的第13、16、24等三首曲谱的配词的唱谱《又慢曲子西江月》、《又慢曲子伊州》、《伊州》,并在这三首曲谱中都发现了一定规则的间奏,根据他的第13、16曲中的间奏,不仅可以找到第15曲的间奏,还为我们提供了在其他曲谱中寻找间奏的合理逻辑。在寻找各曲间奏的过程中,我们发现第8、10曲是较典型的三拍子曲子。试用节奏型推理的方法寻找出了第8曲的十处间奏和第10曲的十二处间奏。由于找出的间奏大部分是有规则的节奏型,在间奏处换置以长音,显示出的旋律框架与嵌满音符的琵琶伴奏谱迥然不同,主旋律盎然浮出水面,听来颇具风味。
[Abstract]:From Mr. Chen Yingshi's translation of Dunhuang pipa, We have seen the lyrics of the three compositions he interprets for the first time: "the West River Moon", "the slow tune", "the State of Illinois", and "the State of Illinois", and in all three of these compositions, we find a regular interplay, according to the interlude in his No. 13P16. Not only can the interlude of No. 15 be found, but it also provides us with the logical logic of finding interlude in other compositions. In the process of searching for interludes, we find that No. 810 is a typical tritatonic tune. By using the method of rhythmic reasoning, we find out the ten interposition of 8 and the twelve interlude of 10. Due to the fact that most of the interharmonies are regular rhythmic, the melodic framework shown in the interleave is quite different from that of the pipa accompaniment with notes embedded in it. The main melody appears to be rich in water and sounds quite flavorful.
【作者单位】：上海音乐学院;
【分类号】：J613.4

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