中国传统音乐美学研究断想——回顾“音心对映论”之争所引发的几点思考
发布时间：2018-09-10 20:56
【摘要】：正李曙明先生在1984年发表的《音心对映论———乐记"和律论"音乐美学初探》一文及其后续文章,其最初出发点在于通过对《乐记》一书音乐美学思想的解读,提出"和律论"的美学思想,并由此涉及到中国古代音乐美学文献的读解以及音乐美学研
[Abstract]:In 1984, Mr. Li Shuming published the article "Music Aesthetics" and "Music Aesthetics" published by Mr. Li Shuming in 1984. The initial starting point of his article is to interpret the music aesthetics thought of the book "Le Ji". This paper puts forward the aesthetic thought of "Harmony Theory", which involves the interpretation of ancient Chinese music aesthetics literature and the study of music aesthetics.
【作者单位】： 山东师范大学音乐学院;
【分类号】：J601
[Abstract]:In 1984, Mr. Li Shuming published the article "Music Aesthetics" and "Music Aesthetics" published by Mr. Li Shuming in 1984. The initial starting point of his article is to interpret the music aesthetics thought of the book "Le Ji". This paper puts forward the aesthetic thought of "Harmony Theory", which involves the interpretation of ancient Chinese music aesthetics literature and the study of music aesthetics.
【作者单位】： 山东师范大学音乐学院;
【分类号】：J601
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