中与西的合璧、古与今的呼应——龚晓婷的二重赋格:铜管五重奏《金叠叠》
发布时间:2018-09-11 15:51
【摘要】:《金叠叠》是青年作曲家龚晓婷运用二重赋格形式创作的一首铜管五重奏作品,作品中乐观向上的第一主题与深情甜美的第二主题交相辉映,同时作曲家给固定对题赋予重要的表现意义,尤其运用云南民歌《小河淌水》材料创作的固定对题,与两个主题之间形成巨大的反差。该曲以西方传统的赋格体裁形式为载体,结合铜管乐器组音色,在运用丰富多样的复调技术的同时,结合复风格、复节奏等当代音乐创作手法以及中国民歌素材音乐语言,阐释了作曲家内心对于传统与现代、前卫与古典的独到见解。本文将对该作品的结构、复调技法以及作品的中西结合、传统与现代结合等方面进行研究,从而对我们分析、创作复调作品有所启示。
[Abstract]:Golden fold is a bronze tube quintet composed by young composer Gong Xiaoting in the form of double fugue. The first theme of the work, which is optimistic and upward, is combined with the second theme, which is affectionate and sweet. At the same time, the composer gives important expressive significance to the fixed theme, especially the fixed pair of the Yunnan folk song "River dripping Water", which forms a huge contrast with the two themes. The music is based on the traditional fugue style of the West, combined with the timbre of the brass instrument group, using rich and varied polyphonic techniques as well as contemporary musical creation techniques such as complex style and complex rhythm, as well as the Chinese folk song material music language. Explains the composer's inner view of tradition and modernity, avantgarde and classical. This paper will study the structure of the work, polyphonic techniques, the combination of Chinese and Western works, the combination of traditional and modern, and so on, so as to analyze and create polyphony works.
【作者单位】: 烟台大学音乐系;
【分类号】:J614.2
[Abstract]:Golden fold is a bronze tube quintet composed by young composer Gong Xiaoting in the form of double fugue. The first theme of the work, which is optimistic and upward, is combined with the second theme, which is affectionate and sweet. At the same time, the composer gives important expressive significance to the fixed theme, especially the fixed pair of the Yunnan folk song "River dripping Water", which forms a huge contrast with the two themes. The music is based on the traditional fugue style of the West, combined with the timbre of the brass instrument group, using rich and varied polyphonic techniques as well as contemporary musical creation techniques such as complex style and complex rhythm, as well as the Chinese folk song material music language. Explains the composer's inner view of tradition and modernity, avantgarde and classical. This paper will study the structure of the work, polyphonic techniques, the combination of Chinese and Western works, the combination of traditional and modern, and so on, so as to analyze and create polyphony works.
【作者单位】: 烟台大学音乐系;
【分类号】:J614.2
【共引文献】
相关期刊论文 前1条
1 赵德义;精彩纷呈的密接和应——肖斯塔柯维奇《24首序曲与赋格》研究札记[J];黄钟-武汉音乐学院学报;2003年01期
相关博士学位论文 前4条
1 娄文利;中国现代室内歌剧《命若琴弦》、《夜宴》音乐特色研究[D];中央音乐学院;2006年
2 叶松荣;断裂与失衡[D];福建师范大学;2007年
3 张磊;论支声及其在西方现代音乐中的应用[D];上海音乐学院;2007年
4 李如春;蒂皮特四部交响曲作曲技术分析研究[D];中央音乐学院;2007年
相关硕士学位论文 前10条
1 张s,
本文编号:2237142
本文链接:https://www.wllwen.com/wenyilunwen/yinyuetheory/2237142.html