论布朗族人生仪礼与个体音乐活动过程

发布时间：2018-10-04 18:20

【摘要】：在布朗族传统的社会民俗中,诞生、成年、婚、葬四大人生仪礼习俗,标志着每一个社会成员成长过程的四个重要阶段。一般认为,人生仪礼同"过关仪礼"有密切关系。在过关仪式的分离(脱离)阶段和聚合(进入)阶段之间,存在一个过渡(阈限)时期。以往,人们对于同属于民间音乐范畴的四大人生仪礼音乐及其他民歌(儿歌、情歌、风俗歌等)、歌舞音乐、器乐曲等,往往是放在一种音乐学形态学或音乐体裁的框架内,分开来进行描述和分析的。然而,通过对人生仪礼及其阈限阶段特征的考察,可以发现上述各种民间音乐类型,其实完全可以纳入这个人类学—民俗学的人生发展周期及结构框架内来做整体性描述和分析。通过对人生仪礼与阈限阶段这"一维两阈"环链中存在的模糊性、混融性以及阶段性、渐进性等结构要素进行分析,可以发现布朗族传统音乐不同于其他少数民族及汉族音乐的诸多艺术与文化个性特征。
[Abstract]:In the traditional social folklore of Brown nationality, birth, adulthood, marriage and burial are the four major ritual customs of life, marking the four important stages in the growing process of each member of society. It is generally believed that the ceremony of life and the "customs ceremony" has a close relationship. There is a transitional period between the separation (separation) stage and the aggregation (entry) phase of the customs ceremony. In the past, people used to put the four major life rituals and other folk songs (children's songs, love songs, custom songs, etc.), music and dance music, instrumental music, etc., which belong to the same category of folk music, within the framework of a musicological morphology or musical genre. Divided for description and analysis. However, through the investigation of the characteristics of the life ceremony and its threshold stage, we can find out the above types of folk music. In fact, it can be integrated into the life cycle and structure of anthropology and folklore to describe and analyze the whole. Based on the analysis of the structural elements such as fuzziness, mixing, phase and gradual in the chain of "one-dimensional two-threshold" in the stage of ceremony and threshold in life, It can be found that the traditional music of Brown nationality is different from other minority and Han music in many artistic and cultural characteristics.
【作者单位】：中央音乐学院;
【基金】：2006年度教育部人文社会科学研究规划项目“中国南亚语系民族音乐的系统研究”,批准号:06JA760021
【分类号】：K892.2;J607

【共引文献】