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歌剧合唱的戏剧性研究

发布时间:2018-10-11 11:32
【摘要】: 合唱是歌剧音乐的重要演绎形式之一。在歌剧用音乐展开其戏剧的过程中,合唱以丰富的演绎形式来肩负着重要的推动戏剧性发展的责任——要么烘托气氛,要么描绘场景色彩,亦或参与主题,推动戏剧高潮的到来等等。在目前歌剧的研究中,人们把注意力大都放到了独唱或重唱上,而给予合唱的关注力却很少。即便有,也只是停留在进行一些音乐分析、背景分析或者学唱的层面上,而从歌剧合唱的历史及其戏剧性功能等角度来分析歌剧的人,则少之又少。本文着重对浪漫主义时期——歌剧发展的鼎盛时期的歌剧合唱进行分析,总结归纳出歌剧合唱的戏剧性功能,,进一步证实歌剧合唱在增强歌剧戏剧性方面具有不可忽视的重要作用。
[Abstract]:Chorus is one of the important deductive forms of opera music. In the course of the opera's musical development of its drama, chorus plays an important role in promoting dramatic development in its rich forms of interpretation-either by setting off the atmosphere, or by depicting the color of the scene, or by participating in the theme. Promote the arrival of drama climax and so on. In the present study of opera, people pay more attention to solo or duet, but pay little attention to chorus. Even if there are only some music analysis background analysis or learning to sing the level of opera chorus from the perspective of history and dramatic function of the analysis of opera very few people. This paper focuses on the analysis of opera chorus in the period of Romanticism, the peak of the development of opera, and summarizes the dramatic function of opera chorus. Further confirmed that opera chorus plays an important role in enhancing opera drama.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2007
【分类号】:J616.2

【引证文献】

相关硕士学位论文 前3条

1 黄春玲;合唱艺术中肢体语言的研究[D];河北大学;2009年

2 娄灿华;论声乐演唱形式的构成与风格[D];西南大学;2010年

3 徐文博;论合唱在威尔第歌剧中的应用特征[D];陕西师范大学;2010年



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