蒂皮特四部交响曲作曲技术分析研究
发布时间：2018-11-02 19:53
【摘要】： 英国现代作曲家迈克尔·蒂皮特一生共创作了四部交响曲。这四部交响曲都是其优秀的代表作品,也是20世纪重要的大型音乐文献。本文从曲式结构、音高、节奏、节拍、和声、复调、调式、调性、配器等角度分析研究了蒂皮特的交响曲创作,根据分析的结果探讨了他交响曲作曲技术与风格中“保守”与“革新”的问题。蒂皮特的作曲技术与风格中既有普遍被认为的保守倾向,也有未被广泛注意的革新方面。 本文根据不同类型的音乐采用了不同的手段分析作品,既有现代音乐分析技法也有传统音乐分析手段,如后申克音乐分析技术、泛调性、潜调性的分析技术以及调性音乐的分析技术,并总结了作品中有特性、有代表性的内部技法规律与风格特征。 在曲式结构上,前两部交响曲保持了古典四乐章的结构;《第三交响曲》把古典四乐章模式纳入了两大部分的结构;而《第四交响曲》是单乐章交响诗的设计,但又隐含了古典四乐章的结构。四部作品各乐章的内部结构也有颇多新颖之处。 交响曲中的横向音高进行主要是综合音阶形成的非半音化风格。在节奏、节拍方面,作曲家用多种方式打破了节奏的匀称性与重音循环的规律性。 在和声实践中,交响曲有继承古典和声体系的部分,也存在许多革新之处,如复杂的和弦结构与非功能性的和声进行改变了传统的和声意义与价值;中心音响与和声场的技术使和声带有浓郁的现代气息。在复调方面,交响曲中使用的双调性与多调性复调、节奏复调、复节拍复调、复风格复调、双调式复调、群体复调等结构类型,有浓郁的现代作曲技术特征。 调式上有“多样的调式类型”、“复杂的调式音列”、“多调式的纵向叠置”三个主要特点,而在调性上,作品有“调性相对主义”、“双调性与多调性”、“泛调性”等特征。交响曲的配器以素描风格为主,但也涉及到彩绘手法与点描风格。“神秘音响”的出现、打击乐器的丰富与鼓风机的使用等特点体现了蒂皮特对音色的追求。蒂皮特的前两部交响曲显示了后浪漫主义与新古典主义结合的风格特征。《第三交响曲》带有新浪漫主义与后表现主义结合的风格特征。《第四交响曲》则具有新现实主义的风格倾向。 蒂皮特的交响曲创作一方面承递了音乐传统的精华,另一方面稳健地发展了合理的技术与风格,两方面都恰当地与艺术内容的表达相结合。
[Abstract]:Michael Tippet, a modern English composer, wrote four symphonies in his life. These four symphonies are their outstanding representative works and important musical documents in the 20 th century. This paper analyzes and studies Tippet's symphony from the aspects of musical structure, pitch, rhythm, harmony, polyphony, modulation, tonality, orchestration, etc. According to the results of the analysis, the problems of "conservatism" and "innovation" in his symphony composition technique and style are discussed. Tippet's composition techniques and styles have both generally considered conservative tendencies and unnoticed aspects of innovation. According to different types of music, this paper uses different means to analyze works, both modern music analysis techniques and traditional music analysis methods, such as post-schenck music analysis technology, pan-tonality. The analysis technology of the latent tone and the analysis technology of the tonality music, and summarized the characteristic and representative internal skill law and style characteristic in the work. The first two symphonies maintain the structure of the classical four-movement, the third Symphony takes the classical four-movement model into the structure of the two parts. The fourth Symphony is a single movement symphonic poem design, but also implies the structure of classical four movements. The internal structure of each movement of the four works is also quite novel. The transversal pitch in the symphony is mainly a non-semitone style formed by synthesizing the scale. In rhythm and rhythm, composers break the regularity of rhythm and stress cycle in many ways. In the practice of harmony, the symphony inherits the classical harmony system, and there are many innovations, such as the complex chord structure and the non-functional harmony to change the meaning and value of the traditional harmony; Central sound and sound field technology makes harmony with a strong modern flavor. In the aspect of polyphony, the structure types of the symphonies, such as double tone and polytone, rhythm polyphony, polyrhythm polyphony, polyphonic style polyphony, double tone polyphony, group polyphony and so on, have rich technical characteristics of modern composition. There are three main features in mode, such as "various mode types", "complex tone series", "vertical superposition of multi-mode", and "tonality relativism", "dual tonality and polytonicity" in tonality, while in tonality, there are three main features: "tonality relativism", "double tonality and polytonicity". "pan-tonality" and other characteristics. The orchestration of the symphony is mainly sketch style, but it also involves painting technique and dot drawing style. The appearance of mystic sound, the richness of percussion instruments and the use of blower reflect Tippet's pursuit of timbre. Tippet's first two symphonies show the style features of the combination of post-Romanticism and Neo-classicism. < Symphony No. 3 > has the stylistic features of the combination of Neo-Romanticism and Post-Expressionism. The fourth Symphony is characterized by a combination of post-Romanticism and Neo-classicism. The tendency of neo-realism in style. Tippet's symphony on the one hand inherits the essence of music tradition, on the other hand, develops reasonable technology and style, both of which are properly combined with the expression of artistic content.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2007
【分类号】：J614
本文编号：2306795
[Abstract]:Michael Tippet, a modern English composer, wrote four symphonies in his life. These four symphonies are their outstanding representative works and important musical documents in the 20 th century. This paper analyzes and studies Tippet's symphony from the aspects of musical structure, pitch, rhythm, harmony, polyphony, modulation, tonality, orchestration, etc. According to the results of the analysis, the problems of "conservatism" and "innovation" in his symphony composition technique and style are discussed. Tippet's composition techniques and styles have both generally considered conservative tendencies and unnoticed aspects of innovation. According to different types of music, this paper uses different means to analyze works, both modern music analysis techniques and traditional music analysis methods, such as post-schenck music analysis technology, pan-tonality. The analysis technology of the latent tone and the analysis technology of the tonality music, and summarized the characteristic and representative internal skill law and style characteristic in the work. The first two symphonies maintain the structure of the classical four-movement, the third Symphony takes the classical four-movement model into the structure of the two parts. The fourth Symphony is a single movement symphonic poem design, but also implies the structure of classical four movements. The internal structure of each movement of the four works is also quite novel. The transversal pitch in the symphony is mainly a non-semitone style formed by synthesizing the scale. In rhythm and rhythm, composers break the regularity of rhythm and stress cycle in many ways. In the practice of harmony, the symphony inherits the classical harmony system, and there are many innovations, such as the complex chord structure and the non-functional harmony to change the meaning and value of the traditional harmony; Central sound and sound field technology makes harmony with a strong modern flavor. In the aspect of polyphony, the structure types of the symphonies, such as double tone and polytone, rhythm polyphony, polyrhythm polyphony, polyphonic style polyphony, double tone polyphony, group polyphony and so on, have rich technical characteristics of modern composition. There are three main features in mode, such as "various mode types", "complex tone series", "vertical superposition of multi-mode", and "tonality relativism", "dual tonality and polytonicity" in tonality, while in tonality, there are three main features: "tonality relativism", "double tonality and polytonicity". "pan-tonality" and other characteristics. The orchestration of the symphony is mainly sketch style, but it also involves painting technique and dot drawing style. The appearance of mystic sound, the richness of percussion instruments and the use of blower reflect Tippet's pursuit of timbre. Tippet's first two symphonies show the style features of the combination of post-Romanticism and Neo-classicism. < Symphony No. 3 > has the stylistic features of the combination of Neo-Romanticism and Post-Expressionism. The fourth Symphony is characterized by a combination of post-Romanticism and Neo-classicism. The tendency of neo-realism in style. Tippet's symphony on the one hand inherits the essence of music tradition, on the other hand, develops reasonable technology and style, both of which are properly combined with the expression of artistic content.
【学位授予单位】：中央音乐学院
【学位级别】：博士
【学位授予年份】：2007
【分类号】：J614
【引证文献】
相关期刊论文 前2条
1 檀革胜;;从三部交响曲看英国现代音乐的“保守”和“坚守”[J];天津音乐学院学报;2012年01期
2 石杨;;浅谈高职学院中的钢琴教学[J];商业文化(上半月);2012年05期
相关硕士学位论文 前1条
1 叶晓晨;保罗·兴德米特音乐作品中结构思维研究[D];西安音乐学院;2010年
，本文编号：2306795
本文链接：https://www.wllwen.com/wenyilunwen/yinyuetheory/2306795.html
