《纳瓦木卡姆》唱词阿鲁孜格律对音乐旋律节奏的影响
发布时间：2018-11-08 18:14
【摘要】： 维吾尔族《十二木卡姆》中的部分段落选用了以阿鲁孜格律写成的古典诗歌作为唱词。产生于阿拉伯文学的阿鲁孜格律体系约从公元十世纪开始,经由波斯文学传到了新疆,被维吾尔先民所接受。阿鲁孜原本是以阿拉伯语长短音节的组合与变换为基础的格律,有八种诗节、十九种格式。虽然维吾尔语的元音无长短区别,但经过几个世纪的融合,到了十五世纪,以艾利希尔·纳瓦依的作品为代表的维吾尔古典诗歌中,阿鲁孜格律的运用已经达到了臻于完美的地步。众多诗人的诗歌作品,被作为《十二木卡姆》部分段落的唱词在广大维吾尔人中传唱。阿鲁孜格律长短音节的构成形式,在两者的相互融合中,对《十二木卡姆》音乐产生了重要的影响。在对《纳瓦木卡姆》唱词格律与音乐旋律进行对应分析后,我们发现,唱词中阿鲁孜格律长短音节在音乐旋律中对应的音符时值具有一些相似的特征:短音节对应时值相对短的一个音符,且只出现在节奏节拍的弱位置上,而长音节对应音符的时值、个数以及音符所在的位置都比较自由。这就造成了长短音节结合时,旋律节奏中常常出现附点节奏和切分节奏的原因。
[Abstract]:Some paragraphs of the Uygur "Twelve Mukam" choose the classical poetry written in Aruze's law as the lyric. Aruz system, which originated from Arab literature, was introduced to Xinjiang through Persian literature from the tenth century AD, and was accepted by Uighur ancestors. Aruze was originally based on the combination and transformation of short and short syllables in Arabic. Although the vowels of Uygur have no difference in length, after centuries of fusion, by the fifteenth century, Uighur classical poetry, represented by Alicher Navayi's works, The application of the Aruze law has reached the point of perfection. The poems of many poets are sung among the Uyghur people as part of the passage of "Twelve Mukam". The composition of the long and short syllables of Aruz's law, in the fusion of the two, exerts an important influence on the music of Twelve Mukam. On the basis of the corresponding analysis of the rhyme and melody in Navamucam, we find that, Aruz's short and short syllable has some similar characteristics in musical melody: short syllable corresponds to a relatively short note, and only appears in the weak position of rhythm. The long syllable corresponds to the time value, the number and the position of the notes. This result in the combination of short and short syllables, melodic rhythm often appears in the point rhythm and segmentation rhythm.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J607
本文编号：2319280
[Abstract]:Some paragraphs of the Uygur "Twelve Mukam" choose the classical poetry written in Aruze's law as the lyric. Aruz system, which originated from Arab literature, was introduced to Xinjiang through Persian literature from the tenth century AD, and was accepted by Uighur ancestors. Aruze was originally based on the combination and transformation of short and short syllables in Arabic. Although the vowels of Uygur have no difference in length, after centuries of fusion, by the fifteenth century, Uighur classical poetry, represented by Alicher Navayi's works, The application of the Aruze law has reached the point of perfection. The poems of many poets are sung among the Uyghur people as part of the passage of "Twelve Mukam". The composition of the long and short syllables of Aruz's law, in the fusion of the two, exerts an important influence on the music of Twelve Mukam. On the basis of the corresponding analysis of the rhyme and melody in Navamucam, we find that, Aruz's short and short syllable has some similar characteristics in musical melody: short syllable corresponds to a relatively short note, and only appears in the weak position of rhythm. The long syllable corresponds to the time value, the number and the position of the notes. This result in the combination of short and short syllables, melodic rhythm often appears in the point rhythm and segmentation rhythm.
【学位授予单位】：新疆师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J607
【引证文献】
相关期刊论文 前1条
1 王慧;;《吐鲁番木卡姆》节奏模式研究——以《潘吉尕木卡姆》为例[J];中央音乐学院学报;2012年03期
相关硕士学位论文 前4条
1 梁秋丽;维吾尔《十二木卡姆》“达斯坦”与歌剧《艾里甫与赛乃姆》唱段与之对比研究[D];新疆师范大学;2010年
2 阿曼古丽·牙生;“赛里木赛乃姆”调查与研究[D];新疆师范大学;2011年
3 王海霞;十二木卡姆在喀什地区的民间传承研究[D];新疆师范大学;2012年
4 陈婷婷;吐鲁番木卡姆“托克逊版”音乐文化调查研究[D];中央音乐学院;2012年
，本文编号：2319280
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