程懋筠研究
发布时间：2018-11-24 17:50
【摘要】： 程懋筠在中国近现代音乐史上是一位做出诸多贡献的音乐家，但在他去世之后近现代史却没有提及他，直到上世纪90年代后才逐步有了关于他的研究文章。本文以已有研究程懋筠的论文为基础，进一步从程懋筠的音乐思想、音乐作品、音乐活动三个方面，结合20世纪30年代的历史文化背景对程懋筠进行较为全面深入的研究，从而对这个中国近现代音乐史上曾经避而不谈的音乐家重新认识并做出相对客观的评价。 全文共分为五个部分，第一章是程懋筠的生平事略的简要介绍；第二章是在程懋筠数十篇音乐论文的基础上，抓住其较为典型的音乐思想，，结合20世纪初的中国音乐思想进行分析；第三章将能收集到的程懋筠的音乐作品进行归纳、分析，重点分析其抗日救亡歌曲：第四章整理研究程懋筠的音乐教育主张与其紧密相关的推行音乐教育的工作、活动；第五章是全文的小结。
[Abstract]:Cheng Maoyun is a musician who has made many contributions in the history of modern Chinese music, but he has not been mentioned in modern history since his death. On the basis of Cheng Maoyun's thesis, this paper further studies Cheng Maoyun from three aspects of Cheng Maoyun's music thought, music works and music activities, combined with the historical and cultural background of the 1930s. Therefore, the musicians who have avoided talking in the history of modern Chinese music have been reunderstood and evaluated objectively. The first chapter is a brief introduction of Cheng Maoyun's life. The second chapter is on the basis of Cheng Maoyun's dozens of music papers, grasp his more typical music thought, and combine the Chinese music thought of the beginning of the 20th century to carry on the analysis; The third chapter will be able to collect Cheng Maoyun's music works to sum up, analysis, focus on the analysis of its anti-Japanese salvation songs: the fourth chapter collate Cheng Maoyun's music education proposition closely related to its work and activities of promoting music education; The fifth chapter is the summary of the full text.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J609.2
本文编号：2354504
[Abstract]:Cheng Maoyun is a musician who has made many contributions in the history of modern Chinese music, but he has not been mentioned in modern history since his death. On the basis of Cheng Maoyun's thesis, this paper further studies Cheng Maoyun from three aspects of Cheng Maoyun's music thought, music works and music activities, combined with the historical and cultural background of the 1930s. Therefore, the musicians who have avoided talking in the history of modern Chinese music have been reunderstood and evaluated objectively. The first chapter is a brief introduction of Cheng Maoyun's life. The second chapter is on the basis of Cheng Maoyun's dozens of music papers, grasp his more typical music thought, and combine the Chinese music thought of the beginning of the 20th century to carry on the analysis; The third chapter will be able to collect Cheng Maoyun's music works to sum up, analysis, focus on the analysis of its anti-Japanese salvation songs: the fourth chapter collate Cheng Maoyun's music education proposition closely related to its work and activities of promoting music education; The fifth chapter is the summary of the full text.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J609.2
【引证文献】
相关博士学位论文 前1条
1 戴俊超;20世纪上半叶中国音乐社团概论[D];中国音乐学院;2010年
相关硕士学位论文 前1条
1 孙焱;广州音专“岭南音乐专家群”的形成[D];星海音乐学院;2012年
本文编号：2354504
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