斯特拉文斯基《四重奏小品三首》中节奏和音高的结构力作用
发布时间：2018-12-06 18:14
【摘要】： 斯特拉文斯基作为二十世纪音乐中最具代表性人物之一，对于其作品的研究一直是后人关注的课题。本文以《四重奏小品三首》为研究对象，探寻这首作品中节奏和音高的结构力作用，以期达到对这部作品创作技法及组织逻辑的认知。 文章共包含两章，第一章概述了斯特拉文斯基的生平、创作经历及其美学思想等；第二章为本文的重点，，研究节奏和音高两种音乐参数的结构力作用，具体研究内容包括：节奏与节奏模式、非对称节奏结构、节拍的增减值组合、节奏重音的数理化秩序、双重或多重节奏的复对位、层的运动与循环圈、节奏形态的相对性与相似性；对称音级集合与隐性的轴／极、复合音程的多重对位、复合结构与调中心等等，在此基础上，总结了这首作品节奏和音高组织的结构关系和规律，从而实现从具体的技术语言到结构力特点的总结和提升。
[Abstract]:Stravinsky is one of the most representative figures in music in the 20th century. In this paper, the author takes "three pieces of quartet" as the object of study, explores the structural force of rhythm and pitch in this work, in order to achieve the cognition of the creative techniques and organizational logic of this work. The first chapter summarizes Stravinsky's life, creation experience and aesthetic thoughts. The second chapter is the emphasis of this paper, which studies the structural force effect of rhythm and pitch, including rhythm and rhythm mode, asymmetric rhythm structure, the combination of the increase and decrease of rhythm, the order of numerical, physical and chemical changes of rhythm stress, the structure of rhythm and rhythm, the structure of asymmetric rhythm, the combination of increasing and decreasing values of rhythm, and the order of rhythm stress. The double or multiple rhythms of the complex position, the movement and circulation of the layer, the relativity and similarity of the rhythm form; On the basis of the symmetrically sound level set and recessive axis / pole, the multiple counterposition of compound interval, the compound structure and modulation center, etc., the structure relation and law of the rhythm and pitch organization of this work are summarized. In order to achieve from the specific technical language to the structure of the characteristics of the summary and promotion.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J614
本文编号：2366448
[Abstract]:Stravinsky is one of the most representative figures in music in the 20th century. In this paper, the author takes "three pieces of quartet" as the object of study, explores the structural force of rhythm and pitch in this work, in order to achieve the cognition of the creative techniques and organizational logic of this work. The first chapter summarizes Stravinsky's life, creation experience and aesthetic thoughts. The second chapter is the emphasis of this paper, which studies the structural force effect of rhythm and pitch, including rhythm and rhythm mode, asymmetric rhythm structure, the combination of the increase and decrease of rhythm, the order of numerical, physical and chemical changes of rhythm stress, the structure of rhythm and rhythm, the structure of asymmetric rhythm, the combination of increasing and decreasing values of rhythm, and the order of rhythm stress. The double or multiple rhythms of the complex position, the movement and circulation of the layer, the relativity and similarity of the rhythm form; On the basis of the symmetrically sound level set and recessive axis / pole, the multiple counterposition of compound interval, the compound structure and modulation center, etc., the structure relation and law of the rhythm and pitch organization of this work are summarized. In order to achieve from the specific technical language to the structure of the characteristics of the summary and promotion.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J614
【引证文献】
相关博士学位论文 前1条
1 纪露;斯特拉文斯基的新古典主义音乐观念研究[D];中央音乐学院;2011年
相关硕士学位论文 前1条
1 颜婷婷;希曼诺夫斯基《第三钢琴奏鸣曲》节奏结构研究[D];西南大学;2011年
本文编号：2366448
本文链接：https://www.wllwen.com/wenyilunwen/yinyuetheory/2366448.html
