论支声及其在西方现代音乐中的应用
发布时间：2018-12-18 18:40
【摘要】： 支声广泛存在于民间音乐中,是民间多声部音乐最常见的织体形式。支声现象复杂、形态各异,不同国家、地区,不同民族、不同体裁的支声均表现出了各自不同的特点。为支声的研究提供了丰富的例证。 西方专业音乐的发展,无论任何时代都没有脱离与民间音乐的联系,民间音乐可以说是作曲家创作的源泉。他们不仅采用民间的音调,而且也采用民间的题材与体裁;不仅吸收本民族的,也吸收其它民族的。到了现代音乐时期,这种倾向越来越强,越来越多的作曲家从民间音乐中汲取更多的表现手法。其中对支声的进一步挖掘与运用更是显而易见。 本文分上、下两篇。上篇主要以民间音乐中的支声现象为依据,围绕支声展开论述。在“支声及相关问题的探讨”中,对支声概念作了更加详细的解释,特别是对概念中涉及到的“变体”一词进行了具体的说明,为后面支声织体的分类提供了必要的理论依据。关于支声的归属,本文明确了观点,并进行了论证。 在“民间音乐中的支声现象”一章中,对中国民间多声部音乐中的支声进行了细致的考察、分析,对外国民间音乐中的支声在现有资料的情况下进行了深入的挖掘。民间音乐中的支声不仅形态极其丰富而且特点也十分鲜明。 “支声织体类型及音乐语言特征”是上篇的中心内容,本文从旋律的纵向变化和横向变化两个方面对支声织体进行分类,突出了支声织体的本质特征。在这一内容上,具有创新意义的是确立了哪种平行进行属于支声织体,挖掘出了新的支声织体展开性支声,做出了综合性支声和混合性支声并用的选择,并对其进行了明确的区分。 下篇的论题是支声在西方现代音乐中的应用。首先是“传统时期的回顾”,从奥尔加农时期到浪漫主义时期。 接下来是“支声在西方现代音乐中应用概述”,这一问题的关键也是难点是哪些作曲家的哪些作品中应用了支声。通过翻阅大量的乐谱及文献,最后选定了西方8个国家的21位现代音乐作曲家的57部作品进行研究,为论题的写作开拓了道路。本文所运用的谱例就是在此基础上遴选出的。这一章的内容包括布里顿的三部教堂寓言剧、支声在俄罗斯现代音乐中的应用、支声在美国现代音乐中的应用和支声在西方其它国家及作曲家现代音乐中的应用。 最后一章是“支声在西方现代音乐中应用的特点”,论述以前一章为基础,对支声织体类型及支声应用的特点进行总结。 通过对西方现代音乐中支声应用的分析研究,从中获取审美经验,为音乐创作提供启示,为音乐创作中应用支声提供借鉴,从而丰富作曲技法。
[Abstract]:The branch sound exists widely in folk music, and is the most common texture form of folk multi-part music. The phenomenon of branch sound is complicated and its shapes are different. Different countries, regions, different nationalities and different genres all have different characteristics. It provides abundant examples for the study of supporting sound. The development of Western professional music, no matter any time has not separated from folk music, folk music can be said to be the source of composer creation. They adopt not only folk tones, but also folk themes and genres. In the period of modern music, this tendency is stronger and more composers draw more expression from folk music. Among them, the further excavation and application of support sound is more obvious. This paper is divided into two parts. The first part is mainly based on the phenomenon of branch sound in folk music. In the discussion of "supporting sound and related problems", the concept of supporting sound is explained in more detail, especially the term "variant" involved in the concept is explained in detail, which provides the necessary theoretical basis for the classification of supporting sound texture. On the attribution of supporting sound, this paper clarifies the point of view and proves it. In the chapter of "the phenomenon of Branch in Folk Music", this paper makes a careful investigation and analysis of the branch in Chinese folk multi-part music, and deeply excavates the branch sound in foreign folk music under the condition of the existing data. Folk music in the sound not only extremely rich in form and characteristics are also very bright. The main content of the first part is "the types of Branch Sound texture and the characteristics of Musical language". This paper classifies the branch acoustical texture from two aspects of the longitudinal and lateral changes of melody, and highlights the essential characteristics of the branch acoustical texture. In this aspect, it is of great significance to establish which parallel acoustical texture belongs to the branch acoustical texture, excavate out the new branching sound, and make the choice of the combination of the comprehensive branch sound and the mixed branch sound. And made a clear distinction. The theme of the next chapter is the application of music in modern western music. The first is the retrospect of the traditional period, from the Organon period to the Romantic period. Then there is an overview of the application of branch sound in modern western music. The key to this problem is also the difficulty of which composers use it in which works. Through reading a large number of music scores and literature, 57 works of 21 modern music composers from 8 western countries were selected to study, which opened the way for the writing of the topic. The spectral examples used in this paper are selected on this basis. The content of this chapter includes three church allegorical plays by Brighton, the application of branch sound in modern Russian music, the application of branch sound in modern American music, and the application of branch sound in modern music of other western countries and composers. The last chapter is "the characteristics of the Application of Branch Sound in Modern Western Music". Based on the previous chapter, the author summarizes the types of branch sound texture and the characteristics of its application. Through the analysis and research on the application of branch sound in western modern music, we can gain aesthetic experience, provide inspiration for music creation, and provide reference for the application of branch sound in music creation, so as to enrich the composing techniques.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2007
【分类号】：J614
本文编号：2386324
[Abstract]:The branch sound exists widely in folk music, and is the most common texture form of folk multi-part music. The phenomenon of branch sound is complicated and its shapes are different. Different countries, regions, different nationalities and different genres all have different characteristics. It provides abundant examples for the study of supporting sound. The development of Western professional music, no matter any time has not separated from folk music, folk music can be said to be the source of composer creation. They adopt not only folk tones, but also folk themes and genres. In the period of modern music, this tendency is stronger and more composers draw more expression from folk music. Among them, the further excavation and application of support sound is more obvious. This paper is divided into two parts. The first part is mainly based on the phenomenon of branch sound in folk music. In the discussion of "supporting sound and related problems", the concept of supporting sound is explained in more detail, especially the term "variant" involved in the concept is explained in detail, which provides the necessary theoretical basis for the classification of supporting sound texture. On the attribution of supporting sound, this paper clarifies the point of view and proves it. In the chapter of "the phenomenon of Branch in Folk Music", this paper makes a careful investigation and analysis of the branch in Chinese folk multi-part music, and deeply excavates the branch sound in foreign folk music under the condition of the existing data. Folk music in the sound not only extremely rich in form and characteristics are also very bright. The main content of the first part is "the types of Branch Sound texture and the characteristics of Musical language". This paper classifies the branch acoustical texture from two aspects of the longitudinal and lateral changes of melody, and highlights the essential characteristics of the branch acoustical texture. In this aspect, it is of great significance to establish which parallel acoustical texture belongs to the branch acoustical texture, excavate out the new branching sound, and make the choice of the combination of the comprehensive branch sound and the mixed branch sound. And made a clear distinction. The theme of the next chapter is the application of music in modern western music. The first is the retrospect of the traditional period, from the Organon period to the Romantic period. Then there is an overview of the application of branch sound in modern western music. The key to this problem is also the difficulty of which composers use it in which works. Through reading a large number of music scores and literature, 57 works of 21 modern music composers from 8 western countries were selected to study, which opened the way for the writing of the topic. The spectral examples used in this paper are selected on this basis. The content of this chapter includes three church allegorical plays by Brighton, the application of branch sound in modern Russian music, the application of branch sound in modern American music, and the application of branch sound in modern music of other western countries and composers. The last chapter is "the characteristics of the Application of Branch Sound in Modern Western Music". Based on the previous chapter, the author summarizes the types of branch sound texture and the characteristics of its application. Through the analysis and research on the application of branch sound in western modern music, we can gain aesthetic experience, provide inspiration for music creation, and provide reference for the application of branch sound in music creation, so as to enrich the composing techniques.
【学位授予单位】：上海音乐学院
【学位级别】：博士
【学位授予年份】：2007
【分类号】：J614
【引证文献】
相关期刊论文 前1条
1 杨云;;钢琴教材《小宇宙》的音乐分析——以《农夫舞曲》为例[J];音乐大观;2012年08期
，本文编号：2386324
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