宋代“江西琴派”考论

发布时间：2019-01-05 10:25

【摘要】：众所周知,宋代文学领域内有一个"江西诗派",但很少有人知道,在宋代艺术领域内还有一个"江西琴派"。江西琴派早在宋代政和以前就已形成的,与当时的京师琴派、浙江琴派鼎足而立为三大琴艺流派,而且浙江琴派是在学习江西琴派基础上发展起来的流派。江西琴派有自己的琴谱,人称"江西谱",当时的文人学士皆喜而争慕弹拂,成为盛极一时并主导潮流的流派。江西琴派的领袖人物是江西庐陵人欧阳修,他一生以琴为伴,有丰富的琴乐思想,常常以琴会友,并以文化盟主的号召力,在其周围自然形成以他为主的,有刘敞、苏轼、杨置、孙道滋、沈遵等一班文人参加的琴艺流派。欧阳修逝世后,江西琴派的主要继承者是江西庐山道人崔闲,他遍邀当时著名文人如苏轼、叶梦得等为三十多首琴曲填写歌辞。由此而形成了既有琴曲又有琴歌的著名的"江西谱"。
[Abstract]:It is well known that there was a "Jiangxi poetry school" in the field of Song Dynasty literature, but few people knew that there was a "Jiangxi piano school" in the field of Song Dynasty art. Jiangxi Qin school was formed as early as the Song Dynasty and formed before the Song Dynasty. It was formed as three major piano art schools with the Peking division and Zhejiang Qin school, and Zhejiang Qin school developed on the basis of learning Jiangxi Qin school. Jiangxi Qin school has its own instrument music, known as "Jiangxi music", at that time scholars all like to compete for music, become the dominant school and dominant trend. The leader of Jiangxi Qin School was Ouyang Xiu, a native of Luling in Jiangxi Province. He was accompanied by Qin all his life. He had rich Qin music thoughts, often with Qin members, and with the appeal of cultural allies, and naturally formed around him Liu Chang and Su Shi. Yang Chi, Sun Daozi, Shen Zun and other scholars to participate in the school of piano art. After Ouyang Xiu's death, the main successor of Jiangxi Qin School was Jiangxi Lushan Taoist Cui Fai. He invited famous scholars such as Su Shi and Ye Mengde to fill in songs for more than 30 piano songs. From this, the formation of both piano music and piano songs of the famous "Jiangxi spectrum."
【作者单位】：江西省社会科学院历史研究部;江西省社会科学院历史研究部;
【分类号】：J609.2

【共引文献】