莫扎特《c小调钢琴协奏曲（KV.491）》的创作特点及演奏分析
发布时间：2019-03-09 15:38
【摘要】： 《c小调钢琴协奏曲(KV.491)》,是莫扎特在维也纳进入创作高产时期的一部极具个性的恢弘之作。莫扎特钢琴协奏曲体裁的作品多为大调,而这首《c小调钢琴协奏曲(KV.491)》,却呈现出另一种不为人熟悉的风格。 本文共分三章,以认识论的方法,从理性认识与感性认识两方面,对这首协奏曲的创作特点及演奏诠释进行了深入分析。力图以理性分析为指导,使演奏尽量的贴近这首协奏曲的精神主旨,从而使音乐表现更具内涵。同时,也为其他演奏这首协奏曲的演奏者,提供一些相关的资料,丰富人们对莫扎特小调作品的理解。 第一章从莫扎特个性的成熟,促成其创作风格的转变谈起,结合《c小调钢琴协奏曲(KV.491)》的创作背景,得出这首协奏曲形成独特风格特点的成因。 第二章从分析音乐本体入手,提炼出这首协奏曲在曲式结构、主题旋律、和声及调式调性、配器的创作特点。 第三章提出并解释了乐谱版本和演奏中的一些问题,并通过对乐谱、华彩版本和演奏家的音响资料的综合分析,结合第一、二章进行的理性分析,以演奏者的角度,阐述对这首协奏曲的个人理解与诠释。
[Abstract]:Piano Concerto in C minor (KV.491) is Mozart's magnificent work in Vienna when he entered the period of high production. Mozart's piano concerto is mostly in major, but this piano concerto in c minor (KV.491) presents another unfamiliar style. This article is divided into three chapters, with the epistemology method, from the rational cognition and the perceptual cognition two aspects, has carried on the thorough analysis to the composition characteristic and the performance annotation of this concerto. Guided by rational analysis, this paper tries to make the performance of the concerto as close as possible to the spirit of the theme, so as to make the music performance more connotation. At the same time, for other performers of this concerto, provide some relevant information, enrich people's understanding of Mozart minor. The first chapter starts from the maturity of Mozart's personality and promotes the change of his writing style. Combining with the creative background of Piano Concerto in C minor (KV.491), the author draws a conclusion that this concerto formed its unique style characteristics. The second chapter from the analysis of music Noumenon, extract the Concerto in the structure of the melody, theme melody, harmony and tunes, the composition of the characteristics of the orchestration. The third chapter puts forward and explains some problems in the music edition and performance, and through the comprehensive analysis of the music score, the Chinese color version and the sound data of the performer, combined with the rational analysis carried out in the first and second chapters, from the perspective of the performer, This paper expounds the personal understanding and interpretation of this concerto.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J624.1
本文编号：2437608
[Abstract]:Piano Concerto in C minor (KV.491) is Mozart's magnificent work in Vienna when he entered the period of high production. Mozart's piano concerto is mostly in major, but this piano concerto in c minor (KV.491) presents another unfamiliar style. This article is divided into three chapters, with the epistemology method, from the rational cognition and the perceptual cognition two aspects, has carried on the thorough analysis to the composition characteristic and the performance annotation of this concerto. Guided by rational analysis, this paper tries to make the performance of the concerto as close as possible to the spirit of the theme, so as to make the music performance more connotation. At the same time, for other performers of this concerto, provide some relevant information, enrich people's understanding of Mozart minor. The first chapter starts from the maturity of Mozart's personality and promotes the change of his writing style. Combining with the creative background of Piano Concerto in C minor (KV.491), the author draws a conclusion that this concerto formed its unique style characteristics. The second chapter from the analysis of music Noumenon, extract the Concerto in the structure of the melody, theme melody, harmony and tunes, the composition of the characteristics of the orchestration. The third chapter puts forward and explains some problems in the music edition and performance, and through the comprehensive analysis of the music score, the Chinese color version and the sound data of the performer, combined with the rational analysis carried out in the first and second chapters, from the perspective of the performer, This paper expounds the personal understanding and interpretation of this concerto.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J624.1
【引证文献】
相关硕士学位论文 前1条
1 周洪弛;莫扎特《c小调钢琴协奏曲》（K.491）创作特征与演奏分析[D];杭州师范大学;2012年
，本文编号：2437608
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