莫凡钢琴组曲《西子影集》作曲技法研究

发布时间：2019-03-18 16:25

【摘要】： 钢琴组曲《西子影集》由《柳浪闻莺》、《花港观鱼》、《南屏晚钟》、《虎跑梦泉》及《苏堤春晓》五个乐章构成。这部作品是我国作曲家莫凡于1985年创作的一部较具探索性的作品。80年代的中国正处于改革开放时期,大量西方近现代作曲技法形态、观念传入我国。我国一批青年作曲家力图将西方近现代的作曲技术形态与我国传统民间音乐素材相结合,从而使我国的音乐创作进入了一个新潮音乐的探索与实践时期。那个时期的作品,无论是从音高素材及多声材料的组织,还是从音乐的观念方面分析,都具有一定的研究价值。本文主要论述的内容有四个方面,首先是对各乐章曲式结构的分析,组曲中每个乐章都体现出了乐思陈述的三部性原则,而且每个乐章均为单一主题乐思。接下来是对音高材料以及主题发展手法的分析,这里将论述音乐的音高材料,音阶类型,以及各乐章主题发展中运用到的相关技法形态。这部组曲的音高材料具有较高的半音化程度,在音乐的发展过程中也多处运用了半音进行,与此同时,旋律的进行又一定程度地保留了传统民间音调的特征,从而让人既感新颖,又不失亲切。作曲家在音阶类型的运用方面也体现出了鲜明的特色:在这部表现中国地域特征与文化内涵的作品中,作曲家采用了全音阶以及具有拓新性的特性六声音阶,从而使音乐既具传统性,又有现代气息。而在主题的陈述与发展手法方面,作曲家采用以三音组为材料单元的递变、展衍、呼应、模进、倒影等多种技法形态,使单一的主题乐思在各个阶段中得以充分的发展与延伸。第三部分是调性形态层面的分析,作品在调性的布局上也较具特色,整部音乐的调式类型泛化,调性也较为游离,且多处运用了双调性手法。最后一部分是将音级集合——这种针对20世纪新音乐的分析方法,介入到具有拓新性民族风格的作品中,本文从主题陈述及其发展过程,以及纵向多声结构两个方面进行分析,从另一层面体现出作品的内在结构力。文章拟通过上述几方面的分析论述,以期更深入地理解作品的内涵,了解中国新潮音乐创作的探索时期,作曲家将我国传统民族民间音乐素材与西方20世纪作曲技法相结合的这一基本创作特征。
[Abstract]:The piano suite "Xizi Pictures" is composed of five movements: Liu Lang Wen Ying, Hua Gang watching Fish, Nanping Evening clock, Tiger running Dream Spring and Su Di Chunxiao. This work is a more exploratory work written by Chinese composer Mo Fan in 1985. In the 1980s, China was in the period of reform and opening up, and a large number of western modern composing techniques and concepts were introduced into China. A group of young composers in our country try their best to combine the western modern composing technique with the traditional folk music materials in our country, so that the music creation of our country has entered a period of exploration and practice of modern music. The works of that period, not only from the organization of pitch material and multi-sound materials, but also from the concept of music, have certain research value. The main contents of this paper are discussed in four aspects, first of all, the analysis of the structure of each movement, each movement in the composition reflects the three principles of Lex's statement, and each movement is a single theme. The following is the analysis of pitch materials and theme development techniques. This paper will discuss the pitch materials of music, the types of scales, as well as the relevant technical forms used in the theme development of each movement. The pitch material of this composition has a high degree of semitonetization and has been used in many places in the development of music. At the same time, the melody has retained the characteristics of traditional folk tones to a certain extent. So that people both feel novel, but also do not lose kindness. Composers also show distinctive features in the use of scale types: in this work, which represents the regional and cultural connotations of China, the composer uses a full scale and a six-tone scale with innovative characteristics, in which the composer uses the full scale and the extension characteristic of the six-tone scale, which represents the regional characteristics and cultural connotation of China. So that music is not only traditional, but also modern breath. In the aspect of the presentation and development of the theme, the composer adopts a variety of technical forms, such as gradual change, development, echo, mold advance, reflection and so on, in which the trisyllabic group is used as the material unit, so that the single theme of Le Si can be fully developed and extended in each stage. The third part is the analysis of the tonal form level, the works also have characteristics in the layout of tonality, the tone type of the whole music is generalized, the tonality is also relatively free, and a number of use of bi-tonal techniques. In the last part, the author introduces the method of analyzing the new music in the 20th century into the works with a new national style. This paper analyzes the theme statement and its development process, as well as the longitudinal multi-tone structure, which is composed of two parts: the theme statement, the development process, and the vertical multi-tone structure. On the other hand, it shows the inner structural force of the work. Through the analysis of the above aspects, the article intends to understand the connotation of the works more deeply and understand the exploration period of Chinese trendy music creation. The composer combines the traditional folk music material of our country with the composition technique of the western 20 ~ (th) century.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J624.1

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