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临清民歌旋律研究

发布时间:2019-03-30 08:50
【摘要】: 临清,京航大运河岸边的历史古城、名城,元代以降,凭借险要的地理位置,南通苏杭,北连皇都,一度成为全国著名的商业都会,明清时期兴盛近500年。清乾隆曰:临清傍运河,富庶甲齐郡;生活在明代景泰至正德年间的大学士李东阳的两首《熬头矶》如此描写临清: (一)十里人家两岸分,层楼高栋入青云。 官船商舶纷纷过,击鼓鸣锣处处闻。 (二)折岸惊流此地回,涛声日夜响春雷。 城中烟火千家集,江上帆樯万斛来。 这些诗文形象地刻画了临清因运河之利而达到的令今人难以想象的鼎盛繁华。商业的繁荣,使临清成为明清时期资本主义经济萌芽的新兴城市,此时,更是以此地为背景,诞生了一部奇特的文学名著——《金瓶梅》。临清古老的文化积淀至今仍然随处可寻,其中临清民歌,是“会八方之风雨,通百邑之有无”、与多种外来音乐文化相互影响、相互渗透的结果,经过几百年的锤炼和发展,形成了具有浓郁地方特色和独特音乐风格的艺术品种,它成为我国民歌宝库中不可或缺的部分。 临清民歌的品种可以分为:小调、秧歌和号子三类。丰富多彩的临清民歌,不断的吸引专业音乐人士和团体来临清采风,特别是解放后,推出了一批优秀曲目,如《撒大泼》、《大实话》、《看姑娘》、《光棍哭妻》等,洒脱、诙谐的唱词,委婉、流畅的旋律,构成了临清民歌独特的艺术美。 历史悠久、底蕴丰厚的临清民歌,以其独特的艺术风格吸引着我们去观察它、贴近它,督促着我们去聆听它、研究它。电视连续剧《水浒传》的一首主题曲——《好汉歌》,唱响大江南北,其取材于临清民歌《撒大泼》和《王大娘锯缸》,临清民歌一度走进人们久违了的视野,它也以具有无可争论的艺术价值成为当代民族音乐学人所必须进行探究的对象。 本文从旋律学的角度去观察、思考临清民歌,对其进行再次的挖掘、梳理、分类和初步探析。这一角度不仅能够使我们钩沉临清民歌的历史风貌,而且还有利于我们分析研究临清民歌的艺术特征,更重要的是如何运用优秀的传统民歌素材进行创新和发展,创造出具有时代气息的新作品。 文章欲以对临清民歌的初步研究为契机,形成对临清整体民间音乐研究的开端,激活具有地域特色的文化氛围,提高当地音乐文化的区域贡献力和服务能力,为实现构建和谐临清和“十一五”的战略构想做出自己的积极贡献,使其在新的历史条件下,发挥其应有的艺术功能。
[Abstract]:Linqing, the bank of the Grand Canal of Beijing Airlines historical ancient city, famous city, Yuan Dynasty to drop, by virtue of dangerous geographical location, Nantong Suzhou-Hangzhou, North even the imperial capital, once became a famous commercial capital, Ming and Qing dynasties prosperous nearly 500 years. Qing Qianlong said: Linqing near the canal, rich Jiazi County; lived in the Ming Dynasty Jingtai to Zhengde years of Li Dongyang's two songs, so described Linqing: (1) Ten li people divided between the two sides of the people, floor high-rise into the Qingyun. The official ship and ship went by one after another, beating drums and singing all over the place. (2) the shore broke back here, and the sound of the waves sounded like spring thunder day and night. Thousands of fireworks in the city set, the river on the sail Wan Dendrobium. These poems depict the inconceivable prosperity of Linqing because of the benefits of the canal. With the prosperity of commerce, Linqing became a burgeoning city of capitalist economy in Ming and Qing dynasties. At this time, a peculiar literary masterpiece, Jinpingmei, was born. The ancient cultural accumulation in Linqing is still found everywhere. Among them, the folk songs of Linqing are the result of the mutual influence and mutual penetration of various foreign music and culture, and after hundreds of years of training and development, the folk songs of Linqing are the result of "eight Fang Zhi's wind and rain, whether or not there are many hundred years of foreign music and culture." Has formed the rich local characteristic and the unique music style art variety, it has become our country folk song treasure house indispensable part. Linqing folk songs can be divided into three categories: minor tune, Yangge and bugle. The rich and colorful folk songs of Linqing have continuously attracted professional musicians and groups to come to Linqing to pick the wind, especially after liberation, launched a number of excellent repertoire, such as "scatter Dabu", "Great Truth", "look at Girls", "Bachelors cry wife" and so on, free and easy. Witty singing, euphemism, smooth melody, constitute the unique artistic beauty of Linqing folk songs. Linqing folk songs, with a long history and rich connotation, attract us to observe it, get close to it and urge us to listen to it and study it with its unique artistic style. A theme song of the TV series "the Water margin"-"the good Man's Song", singing in the north and south of the river, its material is drawn from the Linqing folk song "Sappa Dabu" and "the Lady Wang saw the cylinder," and Linqing folk song once entered people's long-lost visual field of vision. It also has the indisputable artistic value to become the contemporary folk music scholar must carry on the inquiry object. In this paper, we observe and think about Linqing folk songs from the angle of whirllaw, dig them up again, sort them out, classify them and make a preliminary analysis of them. This angle not only enables us to focus on the historical features of Qing folk songs, but also helps us to analyze and study the artistic characteristics of Linqing folk songs, and more importantly, how to use excellent traditional folk song materials for innovation and development. Create new works with the flavor of the times. This article takes the preliminary study of Linqing folk songs as an opportunity to form the beginning of the study on the whole folk music in Linqing, activate the cultural atmosphere with regional characteristics, and improve the regional contribution and service ability of the local music culture. In order to construct harmonious Linqing and "Eleventh five-year Plan" strategic concept to make their own positive contribution, so that under the new historical conditions, it should play its artistic function.
【学位授予单位】:山西大学
【学位级别】:硕士
【学位授予年份】:2008
【分类号】:J607

【引证文献】

相关期刊论文 前1条

1 王敬;;五河民歌旋律与方言[J];重庆科技学院学报(社会科学版);2011年18期



本文编号:2449979

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