论流行音乐中的民族主义

发布时间：2019-04-23 14:25

【摘要】：民族主义是当前的热点话题,而当代流行音乐中一直都有表现民族主义的作品在流传。中国流行音乐中的民族主义可以追溯到20世纪初流行音乐产生之时,此后一直作为一条脉络或隐或显地存在于海峡两岸和香港的流行音乐之中。"中国风"和"中国心"是流行音乐中民族主义的两种基本表现形态。所谓"中国风"是指音乐审美风格的民族化,"中国心"是指歌词内容中的民族主义。当代流行音乐中的民族主义大多表现为温和的低认同,对于弘扬民族文化、推动当代流行音乐向多样化发展发挥了积极作用。"中国心"歌曲中也有在民族冲突和竞争中塑造民族意识的高认同作品,其中有的很能唤起民众的自强精神,但也有一些歌曲流露出阿Q式的狭隘自大、种族主义等不良倾向。流行音乐的商业属性也可能促使其为了迎合市场而出现粗鄙化的民族主义表达。
[Abstract]:Nationalism is a hot topic at present, and contemporary pop music has always been the performance of nationalism works in circulation. Nationalism in Chinese pop music can be traced back to the beginning of the 20th century when pop music came into being, and since then it has existed as a thread or implicit or evident in pop music on both sides of the Taiwan Strait and Hong Kong. " Chinese style and Chinese heart are two basic forms of nationalism in pop music. The so-called "Chinese style" refers to the nationalization of the aesthetic style of music, and the "Chinese heart" refers to nationalism in the lyrics. Nationalism in contemporary pop music is mostly manifested as mild and low identity, which plays a positive role in promoting national culture and promoting the diversified development of contemporary pop music. " There are also high identification works in the song "China Heart", which can mold the national consciousness in the national conflict and competition, some of them can arouse the people's self-improvement spirit very much, but some songs also show the narrow arrogance, racism and other bad tendencies of the Ah Q style. The commercial nature of pop music may also prompt it to develop coarsely nationalist expressions to cater to the market.
【作者单位】：华南师范大学文学院;广东警官学院;
【基金】：广东省哲学社会科学规划项目《新时期以来西方叙事学本土化的理论与实践研究》(GD10CZW11)阶段性成果
【分类号】：J605

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