孔子“成于乐”音乐思想解析
发布时间：2019-05-14 00:29
【摘要】：从美学的角度上来讲,音乐作品既是一个独立存在的不以人的意识为转移的物态性客体,同时又是一个离不开接受者意识活动的非实在性的观念性客体。笔者认为孔子"成于乐"的音乐思想也包含了主观性与客观性的音乐美学内容,本文从音乐的主观与客观性这个美学的角度,来解析论述孔子"成于乐"的音乐思想。
[Abstract]:From the aesthetic point of view, music works are not only an independent material object that does not take human consciousness as the transfer, but also a non-realistic conceptual object which can not be separated from the recipient's conscious activities. The author thinks that Confucius' music thought of "becoming music" also contains the content of subjective and objective music aesthetics. This paper analyzes and discusses Confucius' music thought of "becoming music" from the aesthetic point of view of subjective and objective music.
【作者单位】： 河南省郑州师范学院音乐学院;
【分类号】：J609.2
[Abstract]:From the aesthetic point of view, music works are not only an independent material object that does not take human consciousness as the transfer, but also a non-realistic conceptual object which can not be separated from the recipient's conscious activities. The author thinks that Confucius' music thought of "becoming music" also contains the content of subjective and objective music aesthetics. This paper analyzes and discusses Confucius' music thought of "becoming music" from the aesthetic point of view of subjective and objective music.
【作者单位】： 河南省郑州师范学院音乐学院;
【分类号】：J609.2
【参考文献】
相关期刊论文 前2条
1 张明;;“孔颜之乐”与“诗化生存”理想的建构[J];社会科学研究;2010年03期
2 陈，
本文编号：2476297
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