二胡曲中地域性风格及其技法表现探析

发布时间：2019-05-15 00:10

【摘要】： 我国地域辽阔,由于地理环境、语音语调、风俗习惯、审美意识等不同,形成了不同地域特有的音乐风格。通常人们划分音乐地域性风格是按照地理位置,以长江为界,大致分为南北两个大的区域范围,二胡曲作品的地域性风格的划分也大致如此。一般来讲,南方的风格细腻抒情,北方的风格粗犷豪迈。二胡作为我国最具代表性民族乐器之一,在其演奏演奏风格和技法表现上,与地域性音乐风格和技法有着密切的关系。现有的二胡音乐作品,地域性风格的乐曲非常之多。二胡的风格性演奏技巧是前人长期艺术实践的结晶,也是整个二胡演奏艺术的重要组成部分。文章从理论思考,作品分析着手,并结合演奏实践分析进行探讨剖析二胡曲所蕴涵的地域性风格特点。通过研究,力图对二胡曲地域性风格及其技法表现进行全面、系统、深入的分析和探究。
[Abstract]:The vast territory of our country, due to the geographical environment, pronunciation and intonation, customs, aesthetic consciousness and so on, has formed the unique music style of different regions. Usually, people divide the regional style of music according to the geographical position and take the Yangtze River as the boundary, which is roughly divided into two regional areas between the north and the south, and the regional style of erhu qu works is also roughly so. Generally speaking, the style of the south is delicate and lyric, and the style of the north is rugged and bold. As one of the most representative national musical instruments in China, erhu is closely related to regional music style and technique in its playing style and technical performance. The existing erhu music works, regional style music is very many. The stylistic playing skill of erhu is the crystallization of the previous artistic practice for a long time, and it is also an important part of the whole erhu playing art. This paper starts with theoretical thinking, work analysis, and combined with the analysis of playing practice to explore and analyze the regional style characteristics of erhu qu. Through the research, this paper tries to make a comprehensive, systematic and in-depth analysis and exploration of the regional style of erhu qu and its technical performance.
【学位授予单位】：武汉音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J632.21

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