二十世纪八十年代末以来绛州锣鼓传承变迁状况的考察与研究
发布时间：2019-06-11 05:25
【摘要】： 绛州锣鼓，是山西省新绛县广为流传的一种民间锣鼓乐种，以“花敲鼓”、“穿箱锣鼓”、“车鼓”三种锣鼓乐为代表。农耕经济基础与绛州的民俗文化共同赋予它独特的文化内涵与艺术特征。在长期的历史发展中由于社会发展和生活节奏的缓慢使它的发展呈现出较为稳定的特点。但自20世纪80年代末以来，，随着社会发展节奏的加快，人们的生活方式及精神领域也都发生了重要的变化。作为生长于民间社会背景之上和承载民间文化内容的民间音乐文化，由于丧失或改变了生存的土壤，在日益衰落或蜕变。绛州锣鼓作为民间音乐文化之一，也遭到了各方面力量的强力冲击，因此出现了类似的发展情况。即在衰落的同时也表现出一定的应对和适应，发生了一定程度的变迁。本文把绛州锣鼓的发生、发展及存在状态置于民间文化的整体背景和生长环境当中，通过对绛州锣鼓在20世纪80年代末以来这个特殊的时期内其社会构成、物质构成、形态构成这三个方面传承变迁状况的考察，探索它在社会文化环境发生变化的情况下呈现了什么样的发展规律，并揭示造成其流变的原因。希望能够对保护与发展绛州锣鼓的工作有一定的启示作用。 通过考察，发现绛州锣鼓的社会构成、物质构成以及音乐形态构成这三个方面在发展过程中是环环相扣，相互支配的整体，某一个构成的变化就会引起其它两个构成的变化。另外，社会经济的发展是造成绛州锣鼓各方面发生变迁的根本动因，从而使它的变迁具有历史必然性。除此之外还有政治的影响、各种文化组织的指导作用以及艺术发展的自身规律等等，这些因素组成了一种合力，共同促成了绛州锣鼓的传承变迁。因此，保护与发展绛州锣鼓的工作应在掌握其发展规律的基础上再结合社会背景、人民审美观、价值观的变化以及历史经验与教训对它进行合理地调整，使之适应时代与社会的需要，不断发展、日益繁荣!
[Abstract]:Jiangzhou gongs and drums are a kind of folk gongs and drums widely spread in Xinjiang County of Shanxi Province, represented by three kinds of gongs and drums, namely, "flower beating drum", "carton gongs and drums" and "car drums". Farming economic base and Jiangzhou folk culture together give it unique cultural connotation and artistic characteristics. In the long-term historical development, due to the slow pace of social development and life, its development shows a more stable characteristics. However, since the end of 1980s, with the acceleration of the pace of social development, people's way of life and spiritual field have also undergone important changes. As a folk music culture growing on the background of civil society and carrying the content of folk culture, the folk music culture, which has lost or changed the soil of existence, is declining or changing day by day. Jiangzhou gongs and drums, as one of the folk music culture, has also been strongly impacted by various forces, so there has been a similar development. That is, in the decline at the same time also showed a certain response and adaptation, has undergone a certain degree of change. This paper puts the occurrence, development and existence of Jiangzhou gongs and drums in the overall background and growing environment of folk culture, through the social and material composition of Jiangzhou gongs and drums in this special period since the late 1980s. This paper investigates the inheritance and change of these three aspects of form composition, explores what kind of development law it presents under the condition of the change of social and cultural environment, and reveals the causes of its evolution. It is hoped that it can play a certain role in protecting and developing Jiangzhou gongs and drums. Through the investigation, it is found that the social composition, material composition and music form composition of Jiangzhou gongs and drums are intertwined and dominant in the process of development, and the change of one composition will lead to the change of the other two components. In addition, the development of social economy is the fundamental reason for the changes of Jiangzhou gongs and drums, so that its changes have historical necessity. In addition, there is also the influence of politics, the guiding role of various cultural organizations and the law of art development, and so on. These factors form a joint force to jointly promote the inheritance and change of Jiangzhou gongs and drums. Therefore, the work of protecting and developing Jiangzhou gongs and drums should be adjusted reasonably on the basis of mastering its development law and combining with the social background, the people's aesthetics, the change of values and the historical experience and lessons. Make it adapt to the needs of the times and society, continuous development, increasingly prosperous!
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J607
[Abstract]:Jiangzhou gongs and drums are a kind of folk gongs and drums widely spread in Xinjiang County of Shanxi Province, represented by three kinds of gongs and drums, namely, "flower beating drum", "carton gongs and drums" and "car drums". Farming economic base and Jiangzhou folk culture together give it unique cultural connotation and artistic characteristics. In the long-term historical development, due to the slow pace of social development and life, its development shows a more stable characteristics. However, since the end of 1980s, with the acceleration of the pace of social development, people's way of life and spiritual field have also undergone important changes. As a folk music culture growing on the background of civil society and carrying the content of folk culture, the folk music culture, which has lost or changed the soil of existence, is declining or changing day by day. Jiangzhou gongs and drums, as one of the folk music culture, has also been strongly impacted by various forces, so there has been a similar development. That is, in the decline at the same time also showed a certain response and adaptation, has undergone a certain degree of change. This paper puts the occurrence, development and existence of Jiangzhou gongs and drums in the overall background and growing environment of folk culture, through the social and material composition of Jiangzhou gongs and drums in this special period since the late 1980s. This paper investigates the inheritance and change of these three aspects of form composition, explores what kind of development law it presents under the condition of the change of social and cultural environment, and reveals the causes of its evolution. It is hoped that it can play a certain role in protecting and developing Jiangzhou gongs and drums. Through the investigation, it is found that the social composition, material composition and music form composition of Jiangzhou gongs and drums are intertwined and dominant in the process of development, and the change of one composition will lead to the change of the other two components. In addition, the development of social economy is the fundamental reason for the changes of Jiangzhou gongs and drums, so that its changes have historical necessity. In addition, there is also the influence of politics, the guiding role of various cultural organizations and the law of art development, and so on. These factors form a joint force to jointly promote the inheritance and change of Jiangzhou gongs and drums. Therefore, the work of protecting and developing Jiangzhou gongs and drums should be adjusted reasonably on the basis of mastering its development law and combining with the social background, the people's aesthetics, the change of values and the historical experience and lessons. Make it adapt to the needs of the times and society, continuous development, increasingly prosperous!
【学位授予单位】：西安音乐学院
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J607
【引证文献】
相关硕士学位论文 前2条
1 褚智慧;山西省文水县“文水
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