音乐民族志书写的共时性平台及其“显一隐”历时研究观——以云南与东南亚跨界族群音乐文化书写为实例
发布时间：2019-06-19 03:18
【摘要】：音乐民族志书写以共时性研究为基础平台,以"社会一个体"一维为核心,其中也或隐或显地蕴含着历时性研究的意图和任务。结合文本符号学视角看,云南跨界族群音乐文化研究系统包含"当代共时研究文本多元历时研究文本共时态可读文本共时态可写文本"四种互文性文本类型,它们在三个层级的"元文本一对象文本"关系平台上依次展开对话交流。在此多重互文性过程中,云南与东南亚跨界族群音乐文化的文本二重性、历时文化语境中由隐而显的政治边界以及当下社会语境中跨界音乐文化格局的"解构一重构"等学术话题也一一展现出来。
[Abstract]:The musical national chronology is written on the platform of synchronic research and the core of "social one individual". It also implicitly or obviously contains the intention and task of diachronic research. From the perspective of text semiotics, the music culture research system of cross-border ethnic groups in Yunnan includes four intertextuality text types, namely, "Contemporary synchronic study text pluralistic diachronic research text syntense readable text writable text", which carry out dialogue and communication on the platform of "meta-text-object text" at three levels. In the process of multiple intertextuality, the text duality of the music culture of the cross-border ethnic groups between Yunnan and Southeast Asia is also shown one by one, and the academic topics such as the hidden political boundary in the diachronic cultural context and the "reconstruction and reconstruction" of the cross-border music culture pattern in the current social context are also shown one by one.
【作者单位】： 中央音乐学院音乐学系;
【基金】：上海高校音乐人类学E-研究院建设计划项目:e05011
【分类号】：J609.2
[Abstract]:The musical national chronology is written on the platform of synchronic research and the core of "social one individual". It also implicitly or obviously contains the intention and task of diachronic research. From the perspective of text semiotics, the music culture research system of cross-border ethnic groups in Yunnan includes four intertextuality text types, namely, "Contemporary synchronic study text pluralistic diachronic research text syntense readable text writable text", which carry out dialogue and communication on the platform of "meta-text-object text" at three levels. In the process of multiple intertextuality, the text duality of the music culture of the cross-border ethnic groups between Yunnan and Southeast Asia is also shown one by one, and the academic topics such as the hidden political boundary in the diachronic cultural context and the "reconstruction and reconstruction" of the cross-border music culture pattern in the current social context are also shown one by one.
【作者单位】： 中央音乐学院音乐学系;
【基金】：上海高校音乐人类学E-研究院建设计划项目:e05011
【分类号】：J609.2
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