从历史音乐学到音乐先锋派的窘境——以当代德国作曲家和音乐理论家的观点为思考的重点
发布时间：2019-08-06 11:58
【摘要】：在德国,音乐创作和音乐学分属两个不同的领域和归属。前者重视音乐实践,侧重技术训练,隶属于音乐学院或艺术学院;而后者则被看成是人文学科,侧重精神领域的研究,归类于综合大学的文科类。它们长期以来平分秋色、各有所长,是德国音乐发展中的两个重要分支。本文以德国当代作曲家、音乐学家为例,针对他们的言论、音乐创作,提出自己的一些看法和思考。
[Abstract]:In Germany, music creation and music are divided into two different fields and attribution. The former attaches importance to music practice, focuses on technical training, and belongs to music college or art college;The latter is regarded as a humanities subject, focusing on the research in the spiritual field, which is classified into the arts category of the comprehensive university. For a long time, they are both important branches in the development of German music. This paper takes German contemporary composers and musicists as an example, and puts forward some views and thoughts on their comments, music creation.
【作者单位】： 德国布莱梅大学音乐学、音乐教育学系;西安音乐学院音乐学系;西北民族音乐研究中心;
【分类号】：J605
，
本文编号：2523537
[Abstract]:In Germany, music creation and music are divided into two different fields and attribution. The former attaches importance to music practice, focuses on technical training, and belongs to music college or art college;The latter is regarded as a humanities subject, focusing on the research in the spiritual field, which is classified into the arts category of the comprehensive university. For a long time, they are both important branches in the development of German music. This paper takes German contemporary composers and musicists as an example, and puts forward some views and thoughts on their comments, music creation.
【作者单位】： 德国布莱梅大学音乐学、音乐教育学系;西安音乐学院音乐学系;西北民族音乐研究中心;
【分类号】：J605
，
本文编号：2523537
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