西藏佛教音乐文化跨地域、跨民族的传播与流变

发布时间：2019-08-09 15:22

【摘要】：西藏(特别是西藏中部卫藏地区)是藏民族和藏族文化的发祥地,是藏族文化的中心地带。也是独具民族、地域特点的西藏佛教和西藏佛教音乐形成、发展、完善、传播的中心区域。在西藏佛教后弘期,西藏佛教寺院音乐文化适应西藏佛教的需要,逐渐成熟、完美与体系化,并且立即成为一种文化强势,伴随西藏佛教从西藏这块藏族文化的中心地区传播到了广大藏区以及异地、异民族、异国广大的区域,经过彼此音乐文化的互相接触、融合,使西藏佛教音乐文化的原型模式(或原本形态)发生了不同程度的变异,形成变化模式(或变化形态)。本文在初步探讨西藏佛教音乐文化在流传到同文化系统和不同文化系统的地区、民族、国家的藏传佛教寺院后产生变异的基本规律和特性的基础上,尝试超越现行行政区划和区域文化的界限,从整体上认识藏传佛教音乐文化的源流与流变特征。
[Abstract]:Tibet (especially Wei Zang area in central Tibet) is the birthplace of Tibetan nationality and Tibetan culture and the center of Tibetan culture. It is also the central area for the formation, development, perfection and dissemination of Tibetan Buddhism and Tibetan Buddhist music with unique ethnic and regional characteristics. In the post-Tibetan Buddhist period, the music culture of Tibetan Buddhist monasteries adapted to the needs of Tibetan Buddhism, gradually matured, perfect and systematized, and immediately became a kind of cultural strength. With the spread of Tibetan Buddhism from Tibet, the center of Tibetan culture, to the vast Tibetan areas, as well as to the vast areas of different places, foreign nationalities and foreign countries, through the mutual contact and integration of music culture with each other, The archetypal pattern (or original form) of Tibetan Buddhist music culture has changed to varying degrees, forming a changing mode (or changing form). On the basis of a preliminary discussion of the basic laws and characteristics of the variation of Tibetan Buddhist music culture in the same cultural system and different cultural systems, ethnic and national Tibetan Buddhist monasteries, this paper tries to transcend the boundaries of the current administrative division and regional culture, and to understand the origin and evolution characteristics of Tibetan Buddhist music culture as a whole.
【作者单位】：西藏民族艺术研究所;
【分类号】：J608

【共引文献】