可持续能源景观审美创作范式研究

发布时间：2018-02-09 04:08

本文关键词： 可再生能源可持续能源景观生态型美学审美生态范式审美创作范式　出处：《天津大学》2014年博士论文　论文类型：学位论文

【摘要】：能源危机和气候变化把净零碳发展战略和再生设计原则提上全球日程。可再生能源的战略性推广，使能源景观成为一个诸多矛盾的交汇点，，引发了土地利用、景观质量、生物多样性等系列环境问题，也把可持续能源景观作为时代新范式从幕后推到台前。本文以可持续能源景观为核心研究对象，以当代生态型美学为审美参照系，通过对传统能源景观进行反思和批判，以及对未来能源景观愿景进行预测和展望，寻求其传承性，确立其不可通约性，以此为契机建构起可持续能源景观审美创作范式体系——在一个从本体论、审美价值论到创作方法论的逻辑体系内层层递进的导出。本体论部分（第2章），对可持续能源景观进行了理论要义梳理。论证了可持续能源景观的生发语境、概念内涵、本质特征等问题。界定了人地关系为其本质，可持续生活方式为其内核，并把可持续能源景观放到人地关系综合架构中进行定位，为论文进一步推进奠定了坚实的理论基础。审美价值论部分（第3、4、5章），在人地关系综合架构内展开。1）在生态型美学的逻辑体系内实施“三分法”，建立起自然生态（真）、社会生态（善）和精神生态（美）“三分”的复合审美生态系统，界定了与传统美学的批判性传承关系；2）在复合审美生态系统内展开审美价值和审美机制的探求。审美价值的探求，旨在“求真”、“求善”和“求美”，是为“知其然”；审美机制的探求，旨在通过真与美的分而治之而后复合，洞悉“审美-生态”冲突的实质及其化解途径，是为“知其所以然”。3）以审美价值为基础，以审美机制为依托，建构起真、善、美统和的审美生态范式——生命价值、参与价值和家园意识“三部曲”。创作方法论部分（第6、7章），以审美生态范式为准则，在人地关系综合架构内展开。生态现象学范式为其“元范式”，具有世界观和方法论意义。基于生态现象学方法，秉承跨学科和多维度的整合思维模式，建构了审美创作原则——无缝集成、循环再生、开放空间与情境体验；在此基础上，建构了审美创造策略——协同共生与对话融合。审美创作范式是一个开放的、动态的范式体系，它以人地关系“三要素”（目标）和“四层次”（手段）作为变量，集万成一，以一生万，直至迈向标准范式时期。审美创作范例是借鉴描述美学进行的作品赏析。
[Abstract]:The energy crisis and climate change put the net zero carbon development strategy and the principle of renewable design on the global agenda. The strategic promotion of renewable energy resources has made the energy landscape an intersection of many contradictions, which has led to land use and landscape quality. A series of environmental issues, such as biodiversity, also take sustainable energy landscape as the new paradigm of the times from behind the scenes to the front stage. This paper takes sustainable energy landscape as the core research object, and takes contemporary ecological aesthetics as the aesthetic reference system. Through the reflection and criticism of the traditional energy landscape, as well as the prediction and prospect of the future energy landscape vision, we seek its inheritance and establish its incomprehensibility. Taking this as an opportunity to construct the aesthetic creation paradigm system of sustainable energy landscape, it is derived from a logical system from ontology, aesthetic value theory to creative methodology. In the part of ontology (Chapter 2), the author sorts out the theoretical essentials of sustainable energy landscape, demonstrates the context of sustainable energy landscape, concept connotation, essential characteristics and so on, and defines the relationship between man and land as its essence. Sustainable life style is its core, and the sustainable energy landscape is positioned in the comprehensive framework of human-land relationship, which lays a solid theoretical foundation for the further promotion of the paper. The aesthetic theory of value (chapter 3, chapter 4, chapter 5, which is carried out within the comprehensive framework of the relationship between man and land) implements the "three-point method" in the logical system of ecological aesthetics, and establishes the natural ecology (true ecology, social ecology (good) and spiritual ecology (beauty)). " The compound aesthetic ecosystem of "three parts", Defining the critical inheritance relationship with traditional aesthetics (2) exploring the aesthetic value and the aesthetic mechanism in the complex aesthetic ecological system, the exploration of the aesthetic value, the exploration of the aesthetic value, and the exploration of the aesthetic value. The purpose of "seeking truth", "seeking good" and "seeking beauty" is to "know what it is". It is to "know what it is". 3) based on aesthetic value and aesthetic mechanism, to construct the aesthetic ecological paradigm of truth, goodness and beauty unity-life value, participation value and home consciousness "trilogy". The part of creation methodology (Chapter 6, Chapter 7), based on the aesthetic ecological paradigm, is carried out within the comprehensive framework of human-land relations. The ecological phenomenological paradigm is its "meta-paradigm", which has the significance of world outlook and methodology, and is based on the ecological phenomenological method. Adhering to the integrated thinking mode of interdisciplinary and multi-dimension, it constructs the principle of aesthetic creation-seamless integration, recycling, open space and situational experience, on the basis of which, This paper constructs aesthetic creation strategy-cooperation symbiosis and dialogue fusion. Aesthetic creation paradigm is an open and dynamic paradigm system, which takes "three elements" (objectives) and "four levels" (means) of human-land relations as variables, and gathers ten thousand into one. The aesthetic creation example is the appreciation of the works of descriptive aesthetics.
【学位授予单位】：天津大学
【学位级别】：博士
【学位授予年份】：2014
【分类号】：TU986;P901

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