基于非物质文化视角的文化街区设计研究

发布时间：2018-02-25 09:05

本文关键词： 非物质文化文化街区文化古今等值　出处：《浙江工业大学》2016年硕士论文　论文类型：学位论文

【摘要】：非物质文化是传统文化的“活化石”,是一个地区社会文化和精神文明的缩影,展现了当地人传统的行为方式和生活方式。文化街区是一个地域特殊而重要的组成部分,具有特有的生活性、情感性、体验性和文化性。一方面,非物质文化依赖文化街区这一空间载体传承发展,得以实现动态保护。另一方面,非物质文化指导和引领着文化街区的设计,是文化街区的内涵主体和灵魂。文化街区的设计因非物质文化而得到升华,完成从物质层面到场所精神的质变。故而,非物质文化与文化街区之间有着天然的联姻关系,基于非物质文化的视角来研究文化街区的设计有着重要的意义。因此,本文从非物质文化的视角出发,通过对国内外理论的研究和国内文化街区的实地考察,构建出了文化之古今等值理论模型,其中包括文化等值理念,文化表达模型和评价模型。文化等值理念强调在文化街区的设计中应融入非物质文化,将历史、文脉、空间和肌理这四个方面的相互交融、相互渗透,形成互相之间的等值关系,找到传统文化与现代需求的契合点,营造出有情感、有记忆、有灵魂并且渗透着人的行为方式和生活方式的“活”的街区。文化表达模型是指通过展示、解构、隐喻、置换等文化表达手法,将设计理念固化于文化街区的设计之中,将文化以一定的途径融入物质空间之中。评价模型是通过真实性、艺术性、参与性、复兴性这四个指标来辅助设计师检验所做的设计,确保设计与设计理念相融合。通过这一套理论模型,最终实现的是对非物质文化的活态传承和文化街区的健康有序发展,即完成当代对传统的传承与发展。最后,结合桐庐非遗乐园规划和安徽黄山百师宫文化街区设计两个项目,从不同的角度来阐明如何将文化之古今等值理论应用于项目实践。
[Abstract]:Immaterial culture is a "living fossil" of traditional culture, a microcosm of a region's social culture and spiritual civilization, showing the traditional behavior and way of life of the local people. Cultural blocks are a special and important part of a region. On the one hand, the immaterial culture relies on the cultural district as the space carrier to carry on the development, can realize the dynamic protection, on the other hand, Immaterial culture guides and leads the design of the cultural district, which is the main body and soul of the cultural district. The design of the cultural district is sublimated because of the immaterial culture, which completes the qualitative change from the material level to the spirit of the place. There is a natural marriage relationship between the immaterial culture and the cultural district. It is important to study the design of the cultural district from the perspective of the immaterial culture. Based on the theoretical research at home and abroad and the field investigation of domestic cultural blocks, a theoretical model of ancient and modern cultural equivalence is constructed, which includes the concept of cultural equivalence. Cultural expression model and evaluation model. The concept of cultural equivalence emphasizes that the immaterial culture should be incorporated into the design of the cultural district, and the four aspects of history, context, space and texture should be blended and infiltrated. To form an equivalent relationship between each other, to find the point of convergence between traditional culture and modern needs, and to create feelings and memories. A "living" block with a soul that permeates people's behavior and way of life. A cultural expression model refers to the idea of design solidified in the design of a cultural block through cultural expressions such as display, deconstruction, metaphor, replacement, etc. Culture is integrated into the material space in a certain way. The evaluation model is designed to assist the designer to test the design through the four indexes of authenticity, artistry, participation and rejuvenation. To ensure the integration of design and design concepts. Through this set of theoretical models, the ultimate realization of the immaterial culture of the living state and the healthy and orderly development of cultural blocks, that is, to complete the contemporary heritage and development of the traditional. Combined with the planning of Tonglu Non-Legacy Paradise and the design of Baishigong Cultural District in Huangshan, Anhui Province, this paper expounds from different angles how to apply the theory of ancient and modern cultural equivalence to the project practice.
【学位授予单位】：浙江工业大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：TU984.14

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