室内空间场所精神的体验设计研究

发布时间：2018-04-03 23:33

本文选题：室内空间　切入点：场所精神　出处：《南京工业大学》2014年硕士论文

【摘要】：在全球化背景下，建筑地域性正逐渐的被整合为单一的国际主义模式。标准化的生产方式致使地域特征逐渐弱化，建筑环境也日益趋同，这种千城一面的建筑风格使人们陷入了挪威建筑师诺伯格·舒尔茨所强调的环境危机中，它带给人们的是一种无场所感。本文认为这种无场所感也存在与室内空间当中，当前的室内空间设计并未形成基于本地域、本土化的潮流中，而是陷入疯狂的模仿和抄袭国际上一些风格，当这些风格被广泛复制时就失去了其差异性，使得室内空间也就丧失了其特定的场所精神。人与室内空间应是一种互动对话的状态，室内空间不仅附着人们的感受，还承载着人们的意愿和欲望，当各种风格、材料、造型的抄袭和模仿的作品难免在经历时间的洗礼后会变得空洞。所以，设计师如何塑造和建构室内空间场所精神是当前室内研究的一个重要课题。本文通过对舒尔茨场所精神概念理解的基础上，来诠释室内空间中所存在场所精神。吴良镛认为对于场所精神的理解，，按照中国人的习惯可称之为“场所意境”。本文认为场所精神的实现是通过空间体验来完成的，这种体验不仅是感知场所感的一种途径，也是建构空间结构关系的一种设计方法。设计师应以体验为媒介，创造场所精神。首先，场所精神体验的前提是建立在特定的物质道具上，如空间的形态、界面的颜色、材料的质感、光线和声音等，然后在这些道具的基础上通过人们视觉、听觉、触觉、嗅觉和味觉来进行相互引证和交织来获得对场所的认同感和方位感。其次，舒尔茨对场所精神的探讨将其归纳为认同感和方位感，本文试图在此理论基础上对人与其生活环境、场所精神之间作进一步探讨，探讨一种主客体之间互动关系。这种互动关系的存在便产生了情节的可能性，情节空间更强调人与环境之间的互动对话的关系。诚然，这种关系建立在对空间及其事物体验的基础上，但并非从属于体验，而是一种可体验的结构，即一种空间秩序。因此，本文试图以体验为向导，通过借用文学剧作编排手法，来探讨这种结构秩序使得只可意会的场所精神能够融入到设计师所面对具体的项目设计去，把它转化成设计师可以把握的设计语言。最后，在上述理论研究的理论的基础上进行总结和归纳，探索出一种场所精神具生成策略，即从采集——物化——编排——体验的过程，并通过实际操作项目来进行直接形象的解释和研究。
[Abstract]:In the context of globalization, architectural regionalism is gradually being integrated into a single internationalist model.The standardized mode of production has gradually weakened the regional characteristics and made the architectural environment more and more similar. The architectural style on one side of the thousands of cities has plunged people into the environmental crisis emphasized by Norwegian architect Norberg Schultz.It gives people a sense of lack of place.This paper holds that this sense of lack of place also exists in the interior space, and that the current interior space design has not formed the trend of localization based on the local region, but has fallen into a frenzy of imitation and plagiarism of some international styles.When these styles are widely copied, they lose their differences and make the interior space lose its specific spirit of place.People and indoor space should be a state of interactive dialogue, indoor space not only attach to people's feelings, but also carry people's will and desire, when all kinds of styles, materials,Modelling plagiarism and imitation of the work will inevitably become empty after the baptism of time.Therefore, how the designer molds and constructs the indoor space place spirit is an important subject of the current indoor research.Based on the understanding of Schultz's concept of place spirit, this paper interprets the spirit of place in indoor space.Wu Liangyong believes that the understanding of the spirit of place, according to the Chinese custom can be called "artistic conception of place."This paper holds that the realization of the place spirit is accomplished through the space experience, which is not only a way of perceiving the sense of place, but also a design method of constructing the relationship of space structure.Designers should take experience as the medium and create the spirit of place.First, the premise of the place spiritual experience is to build on specific material props, such as the shape of the space, the color of the interface, the texture of the material, the light and the sound, etc., and then on the basis of these props, through people's vision, hearing, touch, etc.Smell and taste are cited and intertwined to gain a sense of identity and orientation.Secondly, Schultz's discussion on the spirit of place concludes it as identity and sense of orientation. On the basis of this theory, this paper attempts to further explore the relationship between people, their living environment and the spirit of place, and a kind of interactive relationship between subject and object.The existence of this kind of interactive relationship leads to the possibility of plot, and the plot space emphasizes the relationship of interactive dialogue between people and environment.It is true that this relationship is based on the experience of space and its things, but is not subordinate to experience, but an experiential structure, namely, a kind of spatial order.Therefore, this paper attempts to use the experience as the guide, by borrowing the literary drama arrangement technique, to explore this kind of structural order so that only the place spirit can be integrated into the specific project design faced by the designer.Turn it into a design language that designers can master.Finally, on the basis of the above theoretical research theory, the author summarizes and induces a kind of formation strategy of place spirit, that is, from the process of collecting, materializing, arranging and experiencing,And through the actual operation item to carry on the direct image explanation and the research.
【学位授予单位】：南京工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU238.2

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