张南垣及其园林研究

发布时间：2018-04-17 13:42

  本文选题：张南垣 + 造园　； 参考：《天津大学》2014年硕士论文

【摘要】：张南垣作为明末清初的造园大师,尤其擅长叠石艺术,他创造了与以往不同的造园叠山手法,引领了新的叠石审美标准。他的造园叠山艺术实践极大地促进了我国园林艺术的发展,标志着我国古典园林及其叠山艺术的成熟,同时也推动了造园技艺在不同地域间的传播和交流。张南垣所造园林集中于江南地区,且为数众多。黄宗羲的《撰杖集?张南垣传》称“三吴1大家名园皆出其手。其后东至越2,北至燕3,请之者无需日。”戴名世的《张翁家传》称“诸公贵人皆延翁为上客,东南名园大抵多翁所构也。”《清史稿》中记述“以其术游江南数十年,大家名园,多出其手。东至越,北至燕,多慕其名来请者。”北京建工大学教授曹汛先生评论“张南垣为我国首屈一指的造园叠山大师,他的造园叠山作品水平最高数量最多,古今中外没有一个人比得过。”当今国外尚未对张南垣及其园林进行研究,国内对此方面的欠缺系统性研究,研究角度也较为单一、片面。惟有曹汛先生研究得相对全面而深入,采用史学方法考证张南垣的生平、造园作品,并分析其造园叠山特点。本文从园林角度,通过逐一剖析张南垣的25处造园叠山作品,并结合文献资料和前人研究成果,总结出张南垣造园叠山的步骤、手法及审美取向,并与同期园林专著《园冶》进行比较分析,深入探讨张南垣的造园叠山艺术特征,探索其对园林发展的借鉴意义,最后阐述张南垣的园林思想和造园实践对后世园林叠山的影响。
[Abstract]:Zhang Nanyuan, as a master of garden building in the late Ming and early Qing dynasties, was especially good at stone-folding art.His art practice has greatly promoted the development of Chinese garden art, marked the maturity of Chinese classical garden and its mountain stacking art, and also promoted the spread and exchange of gardening skills among different regions.Zhang Nanyuan's gardens are concentrated in the south of the Yangtze River, and numerous.Huang Zongxi's "compilation of wands"?Zhang Nanyuan Biography > said, "three Wu 1 all famous gardens are out of their hands."After the east to more than 2, north to Yan 3, please do not need day. "Dai Ming-shih 's Zhang Weng Family Biography says that "all the public and noble people are all guests of Yan Weng, and most of the famous gardens in the southeast have been constructed by many wengs." "A history of the Qing Dynasty" describes how to travel to the south of the Yangtze River for decades with its skill.East to Yue, north to Yan, more admire its name to invite. "Mr. Cao Jin, a professor at Beijing Construction and Engineering University, commented that "Zhang Nanyuan is one of our country's leading gardeners. He has the highest level of work in building mountains, and no one at all times and all over the world can match him."At present, there is no research on Zhang Nanyuan and his gardens in foreign countries, but there is a lack of systematic research on this aspect in our country, and the research angle is relatively single and one-sided.Only Mr. Cao Jin made a relatively comprehensive and thorough study, and used historical methods to verify Zhang Nanyuan's life and garden works, and to analyze the characteristics of his garden.From the point of view of garden, this paper analyzes the 25 works of Zhang Nanyuan, and summarizes the steps, techniques and aesthetic orientation of Zhang Nanyuan.And compared with the garden monographs "Garden Metallurgy" in the same period, it deeply discusses the artistic characteristics of Zhang Nanyuan's garden building, and explores its reference significance to the garden development.At last, the author expounds the influence of Zhang Nanyuan's garden thought and garden practice on the overlapping mountains of later generations' gardens.
【学位授予单位】：天津大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU986
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本文编号：1763837