辉县古戏台调查与研究

发布时间：2018-05-17 06:38

本文选题：戏曲 + 戏曲文化　；参考：《山西师范大学》2016年硕士论文

【摘要】：明清时期,辉县建造了大量戏台,几乎扩展到每一个乡村,这不是一个偶然,而是长期的思想文化,风俗习惯的继承和发展,带有强烈的地域特色,与民间信仰、歌舞娱乐密切相关,对古戏台研究可以从多方面了解辉县风土民情。民间信仰、歌舞娱乐使戏台适应了民间社会的需要,促进了辉县各地建造戏台。在大量的娱乐与祭祀活动中,民众积极参与,使戏台成为社会中的公共活动场所,也为戏台的发展注入了活力。无论城市还是乡村,戏台都不是一件单纯的建筑物,它所承载的文化信息与所具有的文化魅力使它与民众生活密切相关。辉县古戏台是辉县戏曲文化遗产的宝贵物证,其产生和发展必然要收到辉县本土的地理环境、经济因素、人文环境,习俗等多因素的影响,因而它既是研究辉县地方戏曲的载体,也是研究辉县古建筑的例证。然而,由于年久失修和“文革”期间的损坏,许多戏台被毁,笔者2014年10月对辉县古戏台进行了“地毯式”式的实地考察,发现辉县现存古戏台仅有9座。本文首先在查阅大量文献的基础上对辉县多元的戏曲元素进行了较为全面的概述。其次,按照各乡镇行政区域的划分对辉县现存9座戏台做了较为详细的阐述。接着,结合实例对辉县古戏台的主要类型、空间布局、平面分布等进行了相对系统的研究和分析。最后,对已经消失的古戏台的相关信息进行了收集和整理。
[Abstract]:During the Ming and Qing dynasties, Huixian built a large number of theatrical platforms, which were extended to almost every village. This was not an accident, but a long-term inheritance and development of ideology, culture, customs and habits, with strong regional characteristics and folk beliefs. Song and dance entertainment is closely related to the ancient stage research can understand from many aspects of Huixian folk feelings. Folk belief, song and dance entertainment make the stage adapt to the needs of civil society, and promote the construction of stage in Huixian. In a large number of entertainment and sacrificial activities, the public actively participated, making the stage become the public activity place in the society, and also injected vitality into the development of the stage. Whether in the city or in the countryside, the stage is not a simple building. The cultural information it carries and its cultural charm make it closely related to the life of the people. The ancient stage of Huixian is a valuable material evidence of Huixian opera cultural heritage. Its emergence and development must be influenced by many factors, such as local geographical environment, economic factors, humanistic environment, custom and so on. Therefore, it is not only the carrier of studying Huixian local opera, but also the example of studying Huixian ancient architecture. However, due to years of disrepair and damage during the "Cultural Revolution", many theatrical platforms were destroyed. In October 2014, the author carried out a "carpet" field investigation of the ancient stage in Huixian, and found that there are only 9 existing ancient platforms in Huixian. Firstly, based on a large number of literatures, this paper gives a comprehensive overview of the elements of Huixian's multiple operas. Secondly, according to the division of township administrative regions, Huixian existing 9 stage to do a more detailed elaboration. Then, the main types, spatial layout and plane distribution of ancient stage in Huixian are studied and analyzed systematically. Finally, the relevant information of the lost ancient stage is collected and sorted out.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：TU-86

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