论玛莎施瓦茨景观世界的色彩艺术

发布时间：2018-05-28 00:48

本文选题：玛莎·施瓦茨 + 园林　；参考：《中南林业科技大学》2014年硕士论文

【摘要】：玛莎·施瓦茨女士是景观园林设计当中,后现代主义设计风格的翘楚。关于她的设计作品与设计风格一直以来饱受争议,这位勇敢地女士敢于大胆地挑战传统园林中的种种保守、陈旧的观念,以独树一帜、通俗大众的艺术品位为追求,建造了属于玛莎自己的景观世界。本文的研究背景着眼于近年来随着网络等新媒体对玛莎作品的广泛宣传,国内外对于个性化、风格化的景观推崇,玛莎·施瓦茨的自成一派的景观特色被景观师们关注,特别是中国的设计师们近年频繁出现对玛莎园林、景观的模仿,但这些浅显的作品,并没有从本质上学习、运用到玛莎·施瓦茨的景观优势。以研究玛莎的色彩艺术韵律和表达手法为研究目的,本论文从明确研究背景、意义为基点出发,通过五个章节层层推进进行分析。本文就玛莎·施瓦茨作品中的色彩选择、色彩构成、色彩表现方法进行归纳、分析、总结规律,归纳玛莎·施瓦茨在其生活背景、成长经历和时代性的艺术感染下,所形成的独树一帜的色彩规律。运用色彩构成的中心原理,结合分析法、对比法的利用,透彻地认知、感悟玛莎·施瓦茨的色彩实用艺术,从而来理解其景观世界中色彩感性语言。分析色彩风格形成所需要具备的文化、主题脉络,最终找寻其色彩世界的形式规律,对表现手法的集中应用。以此脉络之下本文得到关于玛莎施瓦茨的色彩艺术以下几个结论： (1)玛莎·施瓦茨的艺术精神和色彩风格的形成具有时代和生活背景之下诞生的现实化、通俗性的思想基础。 (2)色域的选择控制了玛莎·施瓦茨景观世界的色彩框架,利用色彩构成的不同秩序丰富这个框架,以秩序来从根本上制约、表达景观中的主次。 (3)园林色彩与基地、环境之间相互制约,与主题、风格之间相互衬托。 (4)色彩表现手法的总结与分类。研究的成果将为国内对于玛莎·施瓦茨等后现代主义景观师的色彩艺术表达语言有更为清晰的理解,不只是停留于表面的模仿,而能够深层次地领悟色彩艺术的表现形式,从而为中国的新景观设计创造新的思路。
[Abstract]:Ms Marsha Schwartz is the leader of post-modernist design in landscape architecture. About her design works and design style has been controversial, the brave lady dare to challenge the traditional garden of all kinds of conservative, outdated ideas, unique, popular artistic taste as the pursuit, Built Martha's own landscape world. The research background of this paper is focused on the extensive publicity of Martha's works in recent years by new media such as the Internet, the domestic and foreign praise for the individualized and stylized landscape, the unique landscape characteristics of Martha Schwartz being paid close attention to by landscape designers. Chinese designers, in particular, have frequently appeared in recent years to imitate Martha's gardens and landscapes, but these simple works have not been studied in essence and applied to Martha Schwartz's landscape advantages. In order to study Martha's color art prosody and expression technique, this paper starts from the clear research background and significance, and analyzes it through five chapters. This paper sums up, analyzes and summarizes the rules of color selection, color composition and color expression in Marsha Schwartz's works, and concludes Marsha Schwartz under the influence of his life background, growth experience and the artistic influence of the times. The formation of a unique color law. By using the central principle of color composition, combining the analysis method and the use of contrast method, Marsha Schwartz's practical art of color is thoroughly recognized and understood, so as to understand the perceptual language of color in his landscape world. This paper analyzes the culture and theme of the formation of color style, and finally finds out the formal law of the color world and the centralized application of the expression technique. In this context, this paper draws the following conclusions about Marsha Schwartz's color art: The formation of Marsha Schwartz's artistic spirit and color style has the realistic and universal ideological basis of birth under the background of the times and life. (2) the choice of color gamut controls the color frame of Martha Schwartz landscape world. It enriches the frame by using different order of color, restricts the order fundamentally, and expresses the primary and secondary of the landscape. Garden color and base, environment mutually restrict each other, and theme, style set off each other. 4) the summary and classification of color expression techniques. The results of the research will provide a clearer understanding of the expression language of color art by postmodernist landscape architects such as Martha Schwartz in China, not only in superficial imitation, but also in the form of expression of color art. So as to create new ideas for the new landscape design in China.
【学位授予单位】：中南林业科技大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU986

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