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“园林话语”与当代中国本土建筑创作

发布时间:2018-07-18 21:41
【摘要】:当代中国本土建筑创作并不是从中国古代建筑体系发展而来,而是从西方建筑理论与设计实践继承而来。这就造成中国的建筑时刻受到西方建筑的牵制,无法展示自我的一面。但中国建筑师从来没有放弃过对本土建筑的探索,他们从中国传统建筑、民居、园林等领域寻找设计的原型,试图发展出一条适合于中国当代本土建筑创作之路,并取得了卓越的成绩。 本论文的研究对象正是那些从中国古典园林中汲取设计灵感的建筑师们,他们不仅对中国古典园林造园理论进行研究,同时还将其应用于当代建筑创作中。笔者将他们研究中国古典园林并应用在当代建筑创作中的现象称为“园林话语”。 本论文以时间与人物为线索,力求在历史发展中找寻出“园林话语”的发展脉络。研究内容包括:一、各位建筑师们在建筑思想与建筑设计方法上的异同,总结其一脉相承之处;二、探讨他们对当代中国本土建筑创作的影响及作用;三、在此基础上总结其建筑设计方法论。 论文分三个部分对“园林话语”进行分析与总结。首先,阐述研究的缘起和背景、研究对象和内容、研究方法、研究意义、论文结构等;然后,对“园林话语”划分为起源、过渡和发展三个阶段,并分别加以论述,找出各个历史时期建筑师的设计思想与设计方法的异同,及其各自的特点,并总结他们在各个时期的建筑学领域所占有的地位及影响;最后,通过对第二部分的高度总结和提炼,寻找出“园林话语”的建筑设计方法论,方法论内容包括:设计理论(包括东西方相关的理论)、设计过程(从整体与局部角度阐述)、设计方法(从空间、形式、建构方面解读)。 从“园林话语”这一角度去窥视当代中国本土建筑创作,可以在一条更为专一的线性脉络之上发现一条符合中国国情的当代建筑创作道路,这条道路不仅在具体应用上给予建筑创作以方式与方法,同时对相关理论的研究可以在更深层次上影响建筑师的世界观与人生观,并最终改变建筑师的设计思维和看待事物的方法。
[Abstract]:Contemporary Chinese native architectural creation is not developed from ancient Chinese architecture system, but inherited from western architectural theory and design practice. As a result, Chinese architecture has always been constrained by Western architecture, unable to show its self-side. But Chinese architects have never given up their exploration of local architecture. They have looked for prototypes in the fields of traditional Chinese architecture, residential buildings, gardens, and so on, in an attempt to develop a road suitable for the creation of contemporary Chinese local architecture. And has made outstanding achievements. The research object of this thesis is the architects who draw design inspiration from Chinese classical garden. They not only study the theory of Chinese classical garden, but also apply it to contemporary architectural creation. The author calls them "garden discourse" when they study Chinese classical gardens and apply them to contemporary architectural creation. Based on the clue of time and characters, this thesis tries to find out the development of garden discourse in the historical development. The contents of the research include: first, the similarities and differences of architects' architectural ideas and architectural design methods, and the similarities and differences between them; second, discussing their influence and function on contemporary Chinese native architectural creation; third, On this basis, the architectural design methodology is summarized. The thesis is divided into three parts to analyze and summarize Garden discourse. First, the origin and background of the study, the object and content of the study, the research methods, the significance of the research, the structure of the thesis, etc., and then, the garden discourse is divided into three stages: origin, transition and development. Find out the similarities and differences of architects' design ideas and design methods in different historical periods, and their respective characteristics, and sum up their position and influence in the field of architecture in each period. By summing up and refining the second part, we find out the architectural design methodology of "Garden discourse". The methodology includes: design theory (including the theories related to the East and the West), the design process (from the perspective of the whole and part), the design method (interpretation from the aspects of space, form, construction). From the angle of "Garden discourse", we can find a road of contemporary architectural creation that is suitable for China's national conditions. This road not only gives architectural creation ways and methods in concrete application, but also influences architects' world outlook and outlook on life on a deeper level. And ultimately change the architect's design thinking and look at things.
【学位授予单位】:昆明理工大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:TU986

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