禅意栖居—梦窗疏石作庭研究
发布时间：2018-12-28 09:56
【摘要】：日本园林的基础框架是中国流传过去的,日本园林吸收了中国的禅宗,道家,儒家等思想。其中,禅宗思想的传播和吸收尤为瞩目。不过日本园林在吸收禅宗思想之后却没有继续朝着中国园林的方向发展,反而是独树一帜,自我创新,朝着枯山水发展。禅僧梦窗疏石,是镰仓室町幕府时期的著名禅僧和造园家。先后创建了永保寺庭园,惠林寺庭园,西芳寺庭园,天龙寺庭园等作品,被称为中世禅宗庭园的开拓者,奠基人。作为一个“石立僧”,将自己的禅学观点融入到庭园创作中,使得日本庭园焕发了别具一格的光辉。枯山水源自日本镰仓时代的造园大师梦窗疏石的禅宗庭园,而对于这位造园大师以及他的作品,真正了解他的设计思想的设计师却很少。所以有必要来全面的了解一下这位造园家,希望能从这位造园家的作品中汲取到真正的造园精髓。本课题内容:本文旨在研究梦窗疏石的庭园设计理念,将其作庭阶段分为在自然中修行悟道、对自然的小改造、对自然的再构筑、对自然的升华和提炼这四大阶段。每个阶段中,通过梦窗疏石的作庭场所条件和实例举证来对其作品和思想进行具体分析,分析的方向有修行经历、场所选择、作庭技术探究等等。本课题结论:通过对这些作品的分析,来归纳梦窗疏石的创作理念,并从历史源流分析他的作品对前世的继承,以及对后世的影响和指导。
[Abstract]:The basic frame of Japanese gardens is passed down in China. Japanese gardens absorb Chinese Zen, Taoism and Confucianism. Among them, the spread and absorption of Zen thought is especially noticeable. However, Japanese gardens did not continue to develop towards the direction of Chinese gardens after absorbing Zen thoughts. Instead, Japanese gardens were unique, self-innovative, and developed towards the dry landscape. Zen monk dream window Shushi, is Kamakamachi shogunate period of the famous Zen monk and gardener. Yongbao Temple Garden, Hui Lin Temple Garden, Xifang Temple Garden, Tianlong Temple Garden and other works have been created, known as the pioneer and founder of the Zen Garden. As a "Shi Li-shang", his Zen view was incorporated into the garden creation, which made the Japanese garden radiate a unique brilliance. Ku Shan and Shui originated from the Zen garden of the Japanese master of garden in Kamakura era, but for this master and his works, few designers really know his design ideas. Therefore, it is necessary to get a comprehensive understanding of the gardener, hoping to draw the true essence of the garden from the works of the gardener. The purpose of this paper is to study the garden design concept of the dream window and stone, and divide it into four stages: practicing and understanding in nature, transforming nature, reconstructing nature, sublimating and refining nature. In each stage, the concrete analysis of his works and thoughts is carried out through the conditions and examples of the court place of the dream window and stone, the direction of analysis is the practice experience, the choice of the place, the inquiry of the court technology, and so on. Conclusion: through the analysis of these works, this paper sums up the creation idea of the dream window and stone, and analyzes the inheritance of his works to the past and the influence and guidance to the later generations from the historical source.
【学位授予单位】：南京工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU986.58
本文编号：2393807
[Abstract]:The basic frame of Japanese gardens is passed down in China. Japanese gardens absorb Chinese Zen, Taoism and Confucianism. Among them, the spread and absorption of Zen thought is especially noticeable. However, Japanese gardens did not continue to develop towards the direction of Chinese gardens after absorbing Zen thoughts. Instead, Japanese gardens were unique, self-innovative, and developed towards the dry landscape. Zen monk dream window Shushi, is Kamakamachi shogunate period of the famous Zen monk and gardener. Yongbao Temple Garden, Hui Lin Temple Garden, Xifang Temple Garden, Tianlong Temple Garden and other works have been created, known as the pioneer and founder of the Zen Garden. As a "Shi Li-shang", his Zen view was incorporated into the garden creation, which made the Japanese garden radiate a unique brilliance. Ku Shan and Shui originated from the Zen garden of the Japanese master of garden in Kamakura era, but for this master and his works, few designers really know his design ideas. Therefore, it is necessary to get a comprehensive understanding of the gardener, hoping to draw the true essence of the garden from the works of the gardener. The purpose of this paper is to study the garden design concept of the dream window and stone, and divide it into four stages: practicing and understanding in nature, transforming nature, reconstructing nature, sublimating and refining nature. In each stage, the concrete analysis of his works and thoughts is carried out through the conditions and examples of the court place of the dream window and stone, the direction of analysis is the practice experience, the choice of the place, the inquiry of the court technology, and so on. Conclusion: through the analysis of these works, this paper sums up the creation idea of the dream window and stone, and analyzes the inheritance of his works to the past and the influence and guidance to the later generations from the historical source.
【学位授予单位】：南京工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU986.58
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