蒙古族传统图形在城市广场设计中的应用研究

发布时间：2019-04-20 12:29

【摘要】：在我国城市建设步伐加快的今天,城市景观建设中也显现出了景观地域文化缺失的问题。尤其在内蒙古如火如荼的城市广场建设中,蒙古族地域文化缺失甚至广场欧式化现象严重,并且这一现象还未引起城市规划建设者足够的重视,因此对城市广场的蒙古族地域文化应用研究显得至关重要。本文以蒙古族文化的典型代表蒙古族传统图形在城市广场设计中的应用进行研究为突破口,为内蒙古地区地域文化景观设计提出有建设性的参考意见。本文首先对城市广场、蒙古族传统图形、符号学等理论进行了梳理,明确了本文的研究范围,对相关概念、理论等做了明确的解释,为后文奠定了理论基础。通过对对蒙古族传统图形的造型特点和色彩特征的研究,得出蒙古族传统图形不但有典雅美观的图形造型,还蕴含了内容丰富、寓意美好的文化内涵。在此基础上根据符号学理论得出蒙古族传统图形是一种图形符号,并对其视觉传达、造型程序和表达过程的符号化进行了深入分析,同时根据图形的表意方式对其进行了基于符号学理论的归类。在对内蒙古地区广场的实地调研中归纳总结了蒙古族传统图形与城市广场景观融合中存在的问题。在此基础上提出图形应用的原则,继而,以符号学理论和环境心理学理论为基础,根据蒙古族传统图形的“形”、“意”、“势”应用的方法,构建了广场信息的传达机制,为今后蒙古族传统图形在城市广场中的应用提供了具体方法,并指出图形应用的发展趋势。本文基于符号学理论对蒙古族传统图形进行了深入的分析,使其能更好的应用于内蒙古地区城市广场景观设计中。
[Abstract]:With the quickening pace of urban construction in our country, the lack of landscape regional culture has also appeared in the urban landscape construction. Especially in the urban square construction in full swing in Inner Mongolia, the lack of Mongolian regional culture and even the European phenomenon of the square are serious, and this phenomenon has not been paid enough attention by urban planning builders. Therefore, it is very important to study the application of Mongolian regional culture in city square. In this paper, the typical representative of Mongolian culture, Mongolian traditional graphics in the city square design application as a breakthrough, for the Inner Mongolia region regional cultural landscape design to put forward constructive reference suggestions. Firstly, this paper combs the theories of city square, Mongolian traditional graphics, semiotics and so on, clarifies the research scope of this paper, explains the related concepts, theories and so on, and lays a theoretical foundation for the later. Through the research on the modeling and color characteristics of Mongolian traditional graphics, it is concluded that Mongolian traditional graphics not only have elegant and beautiful graphic modeling, but also contain rich content and good cultural connotation. On this basis, according to the theory of semiotics, it is concluded that Mongolian traditional graphics is a kind of graphic symbol, and its visual communication, modeling procedure and symbolization of the process of expression are deeply analyzed. At the same time, it is classified based on semiotics theory according to the representation of graph. The problems existing in the integration of Mongolian traditional graphics and urban square landscape are summarized in the field investigation of Inner Mongolia square. Then, based on the semiotics theory and the environmental psychology theory, according to the Mongolian traditional graphics "shape", "meaning", "potential" application method, the paper constructs the square information transmission mechanism, which is based on the semiotics theory and the environmental psychology theory. This paper provides a concrete method for the application of Mongolian traditional graphics in city squares in the future and points out the developing trend of graphics application. Based on semiotics theory, this paper makes a deep analysis of Mongolian traditional graphics, so that it can be better used in the landscape design of urban squares in Inner Mongolia.
【学位授予单位】：东北林业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TU984.18

【共引文献】