从史实到《封神演义》看武王伐纣故事的流变

发布时间：2018-01-02 22:00

本文关键词：从史实到《封神演义》看武王伐纣故事的流变　出处：《河北大学》2016年硕士论文　论文类型：学位论文

【摘要】：武王伐纣故事是一个典型的中国古代故事,经过历史长河的洗涤和若干代人的修改和创造逐渐变得完整成熟。本文以武王伐纣故事为研究对象,探讨其演化流变的具体轨迹及其文化价值。论文由引言、正文和结语三部分组成。引言部分主要简说中国古代故事流变的概念及其研究方法,并对武王伐纣故事的研究现状进行概述,在概括已有的研究成果的基础上说明本文的研究思路和方法。正文分三章进行论述。第一章主要探讨唐以前武王伐纣故事在从历史史实和民间传说两个方面的源流情况。历史史实方面主要以《尚书》、《逸周书》和《史记》为主要研究资料,梳理出武王伐纣的背景、经过、人物,民间传说则对史实查漏补缺,同时丰富了故事内容。第二章主要探讨宋元时期武王伐纣故事在从戏剧和话本小说《武王伐纣平话》两个方面的改造情况。戏剧方面,宋代的戏剧仅能从一些相关剧本剧目来推测武王伐纣故事的相关故事情节,元戏剧除了从现存剧目和“哪吒令”分析外,还通过《二郎神醉射锁魔镜》、《辅成王周公摄政》两个现存剧本来分析武王伐纣故事在戏剧领域的具体流传情况。话本小说《平话》既承继前代相关的故事,又添加了不少新内容,展现出首次开始添加神怪成分、反抗性增强、浓厚的民间色彩三个特点。第三章主要探讨明时期武王伐纣故事在明杂剧、《春秋五霸七雄列国志传》卷一和《封神演义》三个方面的流变情况。明杂剧主要是与哪吒、杨戬及其他相关的神仙人物有关的,虽然很少涉及武王伐纣的具体故事情节,但对明小说的创作有一定关系。《志传》卷一增添了新内容,同时也对已有内容进行了改动,显示出尊史重史、大力宣扬儒家思想和描写更细致精彩三个特点。《封神演义》是武王伐纣故事的集大成者,既继承了之前流传的相关故事,同时也不断的增添和改动,呈现出两个特点:儒家的文人气质和绚丽的奇幻世界。结论部分主要交代武王伐纣故事流变的轨迹,以及本文研究的结论,同时指出武王伐纣故事研究的不足之处。
[Abstract]:Wuwangfazhou story is a typical Chinese ancient story, after the history of the washing and several generations of the modification and gradually become mature. This paper takes wuwangfazhou story as the research object, to explore the evolution of rheological specific traces and its cultural value. This paper consists of introduction, body and conclusion of three parts. The introduction part the main concept of the ancient story of Jane said China rheology and its research methods, and research status of the Wu story are summarized, the research ideas and methods that based on the existing research results are summarized. The text is divided into three chapters. The first chapter mainly discusses the Tang Dynasty wuwangfazhou story in origin from two aspects history and folklore of the historical facts. The < Shangshu >, < yizhoushu > and < > records as the main research data, sort out the wuwangfazhou background, after, The folklore of historical figures, leak filled, but also enrich the content of the story. The second chapter mainly discusses the song and Yuan Dynasties wuwangfazhou story in the transformation from the two aspects of drama and novel < > energy-saving. The drama, the drama can only speculate wuwangfazhou story from some drama scripts related stories Yuan Drama Plot, apart from the existing repertoire and "Na Zha" analysis, but also through the < erlangshen drunk lock mirror >, < > two Regent Wang Cheng Fu Zhou drama analysis wuwangfazhou story originally existing in the field of drama spread. Specific novels not only inherited the previous generation > < dialect related stories, and add a lot of new content, showing for the first time to start adding the genie components, resistance enhancement, three characteristics of folk color. The third chapter mainly discusses the Ming Dynasty wuwangfazhou story in the Ming Dynasty, "spring and autumn five The seven vision > volume flow from three aspects and a "FengShenYanYi >. The Ming Dynasty is mainly concerned with Na Zha, Yang Jian and other immortal characters, although rarely wuwangfazhou specific plot, but the Ming novels have a certain relationship. An increase in the volume of biography > the new content, but also on the existing content were changed, showing respect for history history, vigorously promote Confucianism and more detailed description of the three features. The wonderful FengShenYanYi wuwangfazhou > is a master of the story, not only inherits the story before the spread, but also constantly expanded and altered, showing two characteristics: the fantasy world of the Confucian literati temperament and brilliant. The conclusion part mainly explain wuwangfazhou story flow path, and the conclusion of this study, and points out the deficiencies of the wuwangfazhou story.

【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I206.2

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