唐代讽谕赋的指向及作意

发布时间：2018-01-04 01:36

本文关键词：唐代讽谕赋的指向及作意　出处：《求索》2017年05期 　论文类型：期刊论文

【摘要】：辞赋历来就有讽谕的功能。班固称其"或以抒下情而通讽谕,或以宣上德而尽忠孝"。到了唐代,由于相对开明的政治环境,讽谕赋创作兴盛。唐代讽谕赋大多以维护政权稳固为目的,笔触指向皇家、官场或其他社会腐朽和不合理,内容颇为丰富。讽谕手法主要有直谏、借古讽今、寓言等。从初唐到中晚唐,讽谕赋的内容由积极进言规谏向抨击揶揄演变;作品风格也由峻切向婉曲转变。出现这种变化的原因是时局由盛转衰,以及因之而来的士人由合作到失望的心态变化。
[Abstract]:Ci Fu has always had the function of sarcastic encyclical. Ban Gu called it "either to express his feelings but to satirize the encyclical, or to declare virtue and complete loyalty and filial piety." in the Tang Dynasty, due to the relatively enlightened political environment. The creation of satirical encyclical Fu flourished. Most of the Tang Dynasty satirical oracle Fu aimed to maintain the stability of the regime, and the strokes pointed to the royal, official or other social decay and unreasonable, and the content was quite rich. The ironic oracle mainly consisted of direct admonition, allegorical to the present and ancient times. From the early Tang Dynasty to the middle and late Tang Dynasty, the content of the encyclical Fu changed from positive admonition to criticizing and ridiculing. This change is due to the change from prosperity to decline in the current situation and the change in the mentality of the scholars from cooperation to disappointment.
【作者单位】：湘潭大学文学与新闻学院;
【分类号】：I207.22
【正文快照】： 辞赋诞生之初,本是一种娱乐文体,有时在娱乐之际也顺带讽谕。宋玉的作品就彰显着这一特色。到了辞赋兴盛的汉代,娱乐依然是其重要的功能,但是,在实用主义文学思潮的影响下,讽谕的功能得到加强,司马相如、扬雄等人作品的“曲终奏雅”“劝百讽一”即可为证。随后,班固在《两都赋

【参考文献】