万方小说创作论

发布时间：2018-01-07 10:04

本文关键词：万方小说创作论　出处：《广西师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：万方是一位有着独特风格的当代作家,在三十多年的创作中,她不断地调整自己的写作姿态,追求艺术的真淳,为读者奉献了诸多一个有社会责感的作家对人生、命运、人性等问题所投入的观察与思考。论文以万方的小说及其创作历程为研究对象,考察了万方几十年文学追求之不同阶段的艺术目标、特质、走向和创作所遇“瓶颈”,分析了万方的创作两次遭遇自我挑战而“转向”的缘由,探讨了万方融于笔端的情感立场和作品所呈现的“宽容”的文化立场,对万方及其作品中的价值取向也予以了相应的阐释。论文三章的主要内容如下:初登文坛时,万方刻意选择“以重击重”的叙事以显示自己的与众不同。这时期的叙事之“重”首先体现在她小说人物性格的塑造上。这时期,万方塑造的小说人物性格都过于偏执,情感始终囿于狭隘的自我天地中。当面对生命不可承受之重时,他们选择以暴力极端的方式来反抗矛盾冲突,而人物的结局多指向死亡。这时期的叙事之“重”也体现在小说结构的安排上。万方将“戏剧冲突”运用在小说结构中,她喜欢用“突转”和“巧合”等戏剧手法来推动故事情节的发展,制造和化解矛盾。这时期的叙事之“重”还体现在小说的结局上。万方这时期的小说大多是没有结局的结局,她或者不设定小说人物的未来,或者在小说情节发展的高潮处戛然而止,追求给读者留下想象空间。这既是万方对小说结构的理解与选择,也是她对生活与命运的一种认知与判断。2000年,万方的创作经历了第一次“转向”,她意识到“以重击重”的方式偏离了生活原本的轨道,开始思考创作的“平和”、“缓慢”与“松弛”等问题。万方的创作“转向”经历了一段力图对“人生状态”予以“准确”表达的痴迷求索。一方面,她通过书写种种爱情问题,不断追问并回答“爱情对生命究竟意味着什么”;另一方面,她“纠缠”于命运和中年婚姻带给人们的一些说不清、道不明的“混沌感”,一心想通过对这种“混沌感”的“准确”表达,更真实地传达一个作家对人生、人性、命运等问题的观察与思考。小说鲜明的情感价值取向,体现了万方作为一个有社会责任感的作家的岗位意识。然而,“人生状态”的千差万别也让万方对一些问题的苦苦追求显得有些自我纠缠,但这也为万方走向另一个新的创作目标留下了空间。2008年,万方的创作又接受了一次自我挑战。她受惠于自己的人生变故和精神创痛,终于能够从“纠缠”于人生的某些状态中跳出,放下“计较”和偏执面对人生和写作。她不再苦苦追踪生活的真相,选择了与生活“和解”,并理性接纳多种“差异性”,对人生、社会、生命、人性有了更多包容性理解。此后,万方塑造了一个个如“粘合剂”般的女性形象,这些形象“粘合”不同人生的能力与万方的审美理想一起,体现着作家心中所持守的“对不同价值标准的客观理解”和一种“对人本身的宽容”。同时,万方也书写了一系列和谐与不和谐的两性关系,其间所强调的对两性“差异性”的理解、包容和接纳,也体现了万方“对价值多元化现实主体的承认、尊重和平等看待”。此外,万方更加看重人的自由心性状态,提倡“顺势”、“顺流”的达观态度。她不再刻意编织故事,也不再纠缠自己对人生的种种疑问,她所欣赏的“顺流而下”、“顺势而为”的人生智慧,透露的是她“对自己价值观念的执著与恪守”。
[Abstract]:000 square is a contemporary writer with a unique style, in thirty years of writing, she constantly adjust their writing attitude, the pursuit of artistic truth, for many readers have a sense of social responsibility of the writer of life, fate, observation and thinking of human problems. The investment in Wanfang's novels and the creation course as the research object, study target, different stages of Wanfang decades literature pursuit of artistic qualities, and to meet the creation of "bottleneck", analyzes the articles of the two encounter challenges and self creation "to" the edge of the million into pen the emotional position and works as a "tolerant" cultural standpoint, the value orientation and Wanfang works will also be analyzed. The main contents of this thesis are as follows: the three chapter of the literary debut, Wanfang deliberately choose "to hit" the narrative Out of the ordinary. This period show their narrative of "heavy" is reflected in the shape of her novel character. During this period, Wanfang novels characters are too paranoid, emotion is always confined to a narrow self in the world. When faced with unbearable weight when they choose to extreme violence the way to resist the conflict, and the character's ending point to the death. During this period, the narrative "heavy" is also reflected in the novel arrangement. Million "conflict" used in the structure of the novel, her love for "sudden change" and "coincidence" and other drama techniques to promote the development of the story manufacturing, and resolve conflicts. During this period, the narrative "heavy" is also reflected in the ending of the novel. Wanfang novel of this period is not the end of the end, or she don't set the characters or plot development in the future, The climax came to an abrupt end, the pursuit of readers' imagination. This is not only the Wanfang structure of the novel understanding and choice, but also to her life and fate is a kind of cognition and judgment in.2000, Wanfang creation experienced the first "turn", she realized that "with a heavy" way away from life the original track, start thinking about the creation of "peace" and "slow" and "Relaxation". Wanfang creation "to" experienced a period of trying to "life" to be "accurate" obsession with seeking expression. On the one hand, through her writing all sorts of love, constantly questioning and answer "love of life what it means"; on the other hand, she "entangled" on the fate of marriage and middle-aged people bring some say, DaoBuMing "chaos", obsessed by this "chaos" was more "accurate" Truly convey a writer of life, human nature, observation and thinking about the fate of other issues. The emotion value orientation distinctive novel, reflects the party as a social responsibility of the writer's consciousness. However, the "life" are also let Wanfang on some problems of struggling to pursue somewhat self entanglement, but also for the million to another new creation goal to leave space in.2008, Wanfang creation received a challenge. She benefited from his life changes and spiritual pain, finally can jump out from some state entanglement in life, put down the "care" paranoid and face life and writing. She is no longer hard to track the truth of life, the life and the "reconciliation", and rational acceptance of various "differences" of life, society, life, human nature has more inclusive understanding. After this, 000 square plastic The female image created such as a "glue" like, the image of "glue" ability of different life and Wanfang aesthetic ideal, embodies the writer's mind adheres to "the different values of the objective understanding" and a "human tolerance". At the same time, Wan Fang also write a series of harmonious and non harmonious relations between the sexes, gender "differences" understanding between stressed, tolerance and acceptance, but also reflects the "million recognition of value diversification of realistic subject, respect and equality". In addition, Wanfang more attention to the freedom of mind, advocating "homeopathy", "downstream" attitude. She no longer deliberately weave stories, no longer entangled their doubts about life, she admired "downstream", "go to" the wisdom of life, said she is "on their own values perseverance And scrupulously abide by.

【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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