夏敬观词学创作论试探

发布时间：2018-01-09 09:28

本文关键词：夏敬观词学创作论试探　出处：《中国文学研究》2017年04期 　论文类型：期刊论文

【摘要】：夏敬观的词学创作论,主要体现在创作主体论与创作方法论两大领域。在创作主体之论中,其内涵主要有三:一是标举真率,推扬性情;二是关注书卷,秉持襟抱;三是宗尚"学人而兼词人"的艺术境界。在创作方法之论中,其主张主要有四:一是"读词在先,起句在后";二是"理路既清,择途选韵";三是"词忌意晦语琢多典故";四是"一词作成,修改指摘"。夏敬观的词学创作论,在承衍前人基础上体现出富于融通的特点与追求创新的精神,为我国传统词学理论批评注入了新的生机和活力。
[Abstract]:Xia Jingguan's theory of ci creation is mainly embodied in the two fields of creation subject theory and creation methodology. In the theory of creation subject, there are three main connotations: first, raising true rate to promote temperament; The second is to pay attention to the book, adhering to the bosom; The third is the artistic realm of Zong Shang "the scholar but also the poet". In the theory of creative method, there are four main propositions: first, "reading the ci first, starting the sentence before"; The second is "the clear road, choose the way to choose rhyme"; Third, "the words avoid the meaning of the obscure language chisels more allusions"; Fourth, "a word made, revised criticism". Xia Jingguan's theory of ci theory, on the basis of Chengyan predecessors, reflects the rich characteristics and the pursuit of innovation spirit. It has injected new vigor and vitality into the criticism of Chinese traditional ci theory.
【作者单位】：南昌大学人文学院;
【基金】：国家社会科学基金项目“民国时期重要词学理论批评承纳、建构与展开研究”(16BZW001) 江西省高校人文社会科学研究项目“民国时期词学理论批评承纳、建构与展开研究”(ZGW1511)的阶段性成果
【分类号】：I207.23
【正文快照】： 夏敬观(1875—1953),字剑丞,又字盥人、号T7庵,室名忍古楼,江西新建人。早年师从著名经学家皮锡瑞,光绪二十六年(1900)从同乡前辈文廷式学词,光绪三十五年(1909),入江苏巡抚陈启泰幕府,在苏州与朱祖谋、郑文焯等前辈唱和论词。1929年以后,其词学活动主要是组织词社、协办词刊

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