讽喻写作与小说创作的边界问题——论阎连科的《日熄》兼及相关创作

发布时间：2018-01-09 13:35

本文关键词：讽喻写作与小说创作的边界问题——论阎连科的《日熄》兼及相关创作　出处：《文艺研究》2017年06期 　论文类型：期刊论文

【摘要】：作为中国当代讽喻写作的代表,阎连科近年来的小说创作有日趋极端之势,其最新的长篇小说《日熄》在这方面表现明显。极强的理念预设和想象的逻辑的耦合,使得他的小说在远离现实的同时,越来越呈现出概念化、模式化的倾向,以至于出现有情节无细节,有讽喻无意趣的悖论,文学写作的边界问题随之也被提出。就阎连科的创作实践而言,小说边界问题的提出,是多重因素作用下的结果,不仅与作者一贯以来的创作风格和讽喻写作的文体特征有关,更是当前时代文化症候的表证。他既不能很好地处理想象与写实的辩证关系,又常常想以奇取胜,奇崛的情节背后显现出来的其实是表象的简单叠加。
[Abstract]:As the representative of Chinese contemporary allegorical writing, Yan Lianke's novel creation in recent years has become increasingly extreme. His latest novel put out in this respect is obvious. The strong conceptual presupposition and the logical coupling of imagination make his novels more and more conceptualized and stylized while away from reality. So that there are no details of the plot, there is an allegorical paradox, the boundary of literary writing has also been raised. Yan Lianke's creative practice, novel boundary issues raised. It is the result of many factors, not only with the author's consistent writing style and allegorical writing stylistic characteristics. He can not only deal with the dialectical relationship between imagination and realism, but also often want to win by surprise, which is actually a simple superposition of appearance behind the strange plot.
【作者单位】：浙江师范大学人文学院;
【分类号】：I207.425
【正文快照】： 在中国当代作家中,论想象的奇诡和尖锐,无人能出阎连科之右。他的小说常常避实向虚,但又有具体的针对性,这样一种既虚又实的张力关系构成了其近期小说的最大特色。这一风格虽然被作者冠之以“神实主义”(1)且有一整套理论作支撑,但背后呈现的其实是极强的讽喻意识和批判精神。

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