论早期中国新诗的本土化探索及其启示

发布时间：2018-01-09 14:06

本文关键词：论早期中国新诗的本土化探索及其启示　出处：《中国现代文学研究丛刊》2017年09期 　论文类型：期刊论文

【摘要】：由于早期新诗的"尝试"较多倚重西方诗学资源,难免在艺术标准上造成某种"薄古""厚西"的倾向。随着新诗自身的不断发展,艺术"本土化"的问题日益受到重视。闻一多、废名、梁宗岱等人都从不同角度对此进行了探索和实践。回顾历史可以看到:无论立足语言、探索格律,还是重释旧诗、关注文化,又或者是更加强调现实历史的关注与介入,都是新诗艺术本土化探索的体现。这种历史经验对当下诗坛也具有启示意义,它提醒诗人自觉运用和锤炼本土语言,呈现本土文化与现实经验,在对话性的语境中更好地写出"此地"与"今时"。
[Abstract]:Due to the fact that the "attempt" of early new poetry relies more on the resources of western poetics, it is inevitable to cause some tendency of "thin ancient" and "thick west" in the art standard, along with the development of the new poem itself. The problem of "localization" of art has been paid more and more attention to. Wen Yiduo, Fei Ming, Liang Zongdai and others have explored and practiced it from different angles. Looking back on history, we can see: no matter based on language, exploring rules. Or re-interpretation of old poetry, concern for culture, or more emphasis on the real history of concern and intervention, are the embodiment of the localization of the art of new poetry exploration, this kind of historical experience also has enlightenment to the current poetry world. It reminds poets to consciously use and practice their native language, to present local culture and practical experience, and to write "here" and "present and present" better in the context of dialogue.
【作者单位】：中国人民大学文学院;
【分类号】：I207.25
【正文快照】： 一1922年,胡适为《尝试集》作《四版自序》时说:“我现在回头看我这五年来的诗,很像一个缠过脚后来放大的妇人回头看他一年一年的放脚鞋样,虽然一年放大一年,年年的鞋样上总还带着缠脚时代的血腥气。”1“放脚鞋样”的说法从此深入人心,它不仅被用来比喻胡适本人在新诗史上的

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