文化空间的概念与边界——以浙南畲族史诗《高皇歌》的演述场域为例

发布时间：2018-01-11 05:25

本文关键词：文化空间的概念与边界——以浙南畲族史诗《高皇歌》的演述场域为例　出处：《民俗研究》2017年05期 　论文类型：期刊论文

【摘要】：史诗《高皇歌》广泛流传于浙南畲乡,它的演述需要一定的场域作依托,而这种演述场域则是一种文化空间。在浙南畲族聚居区,《高皇歌》一般在两种较为重要的文化空间中进行演述,即娱乐歌场和仪式道场。不论哪种演述场域,基本都以畲民家户为中心。在非遗保护的大潮中,《高皇歌》的演述场域也在逐渐缩小中舞台化,并从神圣走向世俗。此外,作为非遗保护的主要对象之一,文化空间的"时空边界"并不决定于时间长度与空间跨度,而取决于非遗保护主体对传统文化活动或表现形式在特定族群中的时空建构。
[Abstract]:The epic "Gao Huang Song" is widely spread in she Township in southern Zhejiang Province. Its performance needs a certain field to rely on, and this field is a kind of cultural space, which is a kind of cultural space in the she nationality concentrated area in southern Zhejiang Province. "Gao Huang Song" is generally performed in two more important cultural spaces, namely, the entertainment song field and the ritual Taoist field. No matter what kind of field, they basically take the she family as the center, and in the tide of non-legacy protection. The field of "Gao Huang Song" is also gradually reduced to a stage, and from sacred to secular. In addition, as one of the main objects of non-legacy protection. The "space-time boundary" of cultural space is not determined by the length of time and span of space, but by the spatiotemporal construction of traditional cultural activities or forms of expression in a particular ethnic group by non-posthumous protectors.
【作者单位】：中国社会科学院研究生院;
【基金】：国家社科基金一般项目“畲族民间文献的历史人类学研究”(项目编号:15BMZ026)、国家社科基金重大委托项目《中国史诗百部工程》子课题“畲族史诗《高皇歌》”(项目编号:SS2016011)的阶段性成果
【分类号】：I207.7
【正文快照】： 《高皇歌》(1)是广泛流传于畲族乡民社会的一种长篇口头语言艺术,它以韵文体方式演述了以民族英雄———龙麒一、口传史诗演述场域:一种传统的文化空间任何一种民俗事象的开展都需要一定的空间载体,并需要在特定的时间里予以呈现。史诗演述作为民俗活动的一种,其空间载体

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