清代唐诗总集序跋研究

发布时间：2018-01-14 04:05

本文关键词：清代唐诗总集序跋研究　出处：《上海师范大学》2016年博士论文　论文类型：学位论文

【摘要】：历代唐诗总集尤其清代唐诗总集中很多有价值的序跋、小引和凡例,至今沉睡在各图书馆古籍部,是未被开掘的浑金璞玉,需刮垢磨光进行系统的学术清理,从而发挥其应有的文献和学理价值。本文“清代唐诗总集序跋研究”,最大特色是发现新材料、阐释新材料。文章以今存二百五十馀种清代唐诗总集为依托,以“序跋”研究为立足,致力发掘序跋文献价值、诗学价值。统论之,着力凸显清代唐诗总集序跋的内涵与价值,辨识总集与别集序跋差异,明确清代唐诗总集的类型差异与序跋的不同特色,分析序跋的基本文献问题,考察清代唐诗总集序跋体现的编纂思想,探究清代唐诗总集序跋与清人的诗学观。基于此,共分五章。第一章为唐诗总集编纂史述论,梳理历代唐诗总集,为序跋研究奠定基础。经梳理可见,唐诗总集编纂呈阶段性特征:由唐五代的兴盛,宋金元的低潮,明代的复兴,至清代进入集大成时期。清代唐诗总集量大质高,编选种类齐备。第二章揭示清代唐诗总集的类型差异构成其序跋不同特色。选集类序跋强调“精选”,突出“选诗为首选人其次”的标准;合集类序跋强调“求全亦求善”,突出“重在选人”的标准;全集类序跋强调“网罗赅备”,突出“通观全唐”。第三章从文献角度切入,厘清清代唐诗总集序跋总量,探讨重刻重抄本序跋增删、总集序跋入文集的删改等问题。还注意到序跋的留存史料、交代选诗来源、鉴定版本等文献价值。第四章旨在探索清代唐诗总集序跋体现的编纂思想。其编纂动机,当受清代崇唐学唐的炽热之风影响。然在崇唐学唐大背景下,人们或不满之前编集成果而另编他集,或企图借助唐诗总集来矫正诗坛流弊。与此同时,清人于唐诗总集序跋呈现多样化编选宗旨,既彰显“选学”为核心的“唐诗学”思想,亦申明推尊雅正诗教、提供后学范本的重要性。第五章通过清代唐诗总集序跋探析清人诗学观,解读清人对其所关注的唐诗热点问题的意见。发现清代唐诗总集序跋对唐诗分期问题争论激烈,对中晚唐诗尤其是中唐诗的意义有重大揭示,也涉及唐诗大家标举、各体大家的标举。除此,由序跋知悉清代的个别唐诗总集对诗体划分最近唐人分类实际。并且,清代唐诗总集多七律选本,对七言律诗尤为关注。
[Abstract]:The collection of Tang poetry of all dynasties, especially the Tang poetry of Qing Dynasty, is a collection of valuable prefaces and postscripts, small quotations and common examples, sleeping in the ancient books departments of various libraries up to now. It is an unexcavated unexcavated rough jade, which needs to be scrubbed and polished to carry out a systematic academic clean-up. In order to play its due literature and academic value. This article "Qing Dynasty Tang poetry collection preface and postscript study", the biggest characteristic is to find new materials, explain new materials. The article is based on more than 250 kinds of Qing Dynasty Tang poetry collection. Based on the study of "preface and postscript", this paper tries to explore the value of preface and postscript documents and poetics. On the whole, it highlights the connotation and value of preface and postscript of the total collection of Tang poetry in Qing Dynasty, and identifies the difference between the preface and postscript of the general collection and the special collection. This paper clarifies the difference of the types and characteristics of the preface and postscript, analyzes the basic literature problems of the preface and postscript, and inspects the compilation thought embodied in the preface and postscript of the Tang poetry collection in Qing Dynasty. Based on this, it is divided into five chapters. The first chapter is the compilation of historical narration of Tang poetry collection, combing the Tang poetry collection of past dynasties, laying a foundation for the preface and postscript study. The compilation of the collection of Tang poetry is characterized by stages: from the prosperity of the Tang Dynasty and the five dynasties, the low tide of the Song, Jin and Yuan dynasties, and the revival of the Ming Dynasty to the period of the Qing Dynasty, the total collection of the Tang Dynasty poetry is of great quantity and high quality. The second chapter reveals that the different types of the collection of Tang poetry in Qing Dynasty constitute the different characteristics of preface and postscript. The preface and postscript of the selected collection emphasize "selection", and highlight the standard of "selecting poems as the first choice of people next". The preface and postscript of the collection emphasize "seeking perfection as well as seeking good", and stress the criterion of "choosing people". The preface and postscript of the whole collection emphasize "the net is comprehensive and ready", and highlight "the general view of the whole Tang Dynasty". The third chapter analyzes the total volume of the preface and postscript of the total collection of Tang poetry in Qing Dynasty from the perspective of literature, and discusses the addition and deletion of the preface and postscript of the re-engraving and rewriting of the manuscript. Some problems such as the excision of the preface and postscript of the general collection, etc., as well as the preservation of historical materials of the preface and postscript, and the explanation of the source of the selected poems. The 4th chapter aims to explore the compilation thoughts embodied in the preface and postscript of the collection of Tang poetry in Qing Dynasty. The motive of its compilation is influenced by the fervent wind of worshiping Tang and learning Tang in Qing Dynasty. However, under the background of worship Tang Dynasty, Tang Dynasty study Tang Dynasty. People either dissatisfied with the previous compilation of achievements and compiled another collection, or attempted to use the Tang poetry collection to rectify the abuse of poetry. At the same time, the Qing Dynasty in the preface and postscript of the Tang poetry anthology presented a variety of compilation purposes. It not only highlights the "selected studies" as the core of the "Tang poetry" thought, but also affirms the importance of promoting respect for refined poetry education, and provides a model for the post-study. Chapter 5th through the Qing Dynasty Tang poetry collection preface and postscript to explore the concept of the Qing Dynasty poetics. It is found that the preface and postscript of the collection of Tang poetry in the Qing Dynasty have a heated debate on the issue of the staging of Tang poetry, which has a great significance for the middle and late Tang poetry, especially for the middle Tang poetry. In addition, from the preface and postscript of individual Tang poetry collection of the Qing Dynasty classification of the most recent classification of the actual Tang Dynasty. Moreover, the Qing Dynasty Tang poetry collection more than seven selected laws. Pay particular attention to seven-character poems.
【学位授予单位】：上海师范大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：I207.22

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