论《檀香刑》对文化变异的叙事

发布时间：2018-01-15 15:40

本文关键词：论《檀香刑》对文化变异的叙事　出处：《闽南师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：莫言是中国获得诺贝尔文学奖的第一人。他的代表作品之一《檀香刑》可以说是一部新历史小说的典范,值得深入研究。小说以民间流传久远的传奇故事为素材,叙述了山东高密义和团首领孙丙被施以檀香刑的悲壮故事。《檀香刑》的艺术构思,以独特的视角审视中国传统文化,对清末中国传统文化的变异进行了深刻的叙事。本论文第一部分为绪论,综述国内外专家、学者对莫言《檀香刑》的研究现状和解读成果,并在这个基础上提出本文的研究方向。体会小说的叙事,我们发现莫言对中国传统文化的表现,是从动态的角度表现了中国传统文化的变异。从小说的叙事声音可见,这里面发生的故事是不合传统封建礼法的,这些事件所表现的是中国传统文化的变异。因此,本文重点论述《檀香刑》对传统文化变异的叙事。第二部分是论文主体部分,分为三章。第一章梳理小说对酷刑的描述及小说人物对酷刑的看法,阐释《檀香刑》对文化变异的叙事立场。小说借人物钱丁之口,指出皇帝和太后对刽子手的过度宠幸及滥施酷刑是不符合封建礼法的。因此,我们看到滥施酷刑是中国传统文化的变异,并非中国传统文化的理想状态。小说是动态地描述中国传统文化,也就是中国传统文化在特定时期的特定表现,即文化的变异。第二章主要阐释文化变异中的人物形象。文化具有塑造人的强大功能,《檀香刑》深刻描写了文化变异所建构的各个奇异的主人公形象。这些人物形象的行动又进一步推进了文化的变异,小说深刻反映了当时的社会现状。第三章主要分析《檀香刑》文本的叙事策略和对隐含读者的要求。对文化变异中的奇异故事,莫言采取了同样奇异的叙事策略。他采用中国传统说书人讲故事的叙事框架,同时又化用西方现代小说的叙事手法,二者融为一体,显示了他高超的叙事技巧。富有创新意味的叙事方式要求读者对民间文化有亲和态度并全身心地倾听这个故事,这就对隐含读者提出了两个层面的构想,一是具有独立思考能力的读者;一是理性对待酷刑描写的读者。论文的第三部分是结语。《檀香刑》对传统文化进行多方面的阐释,既包含了莫言对传统文化出现病变的批判,也有对传统文化精华部分得以延续的颂扬。《檀香刑》的叙事表明在一个主流文化病变的时代,中国文化的正面精神更多的表现在民间文化之中。由此,我们也看到了民间文化培育出来的人物仍具有鲜活的生命力,由此也看到中国文化重新获得健康发展的可能性。莫言的《檀香刑》不是展现酷刑,不是借性和暴力因素吸引读者。它重要的是期待读者对中国文化病变的沉思,在动态的文化过程中思考我们的文化,探寻我们当代文化健康发展的前景。
[Abstract]:Mo Yan is the first person China won the Nobel prize for literature. His representative works of < > sandalwood punishment can be said to be an example of a new historical novel, it is worthy of further study. The best-known novel folk legend for the material, the density of the leaders of Shandong Sun C and sentenced to the artistic conception of the tragic story of sandalwood punishment. Look at China > sandalwood punishment, traditional culture with a unique perspective, the variation of Qing Dynasty Chinese traditional culture had a profound narrative. The first part is the introduction, summarizes the domestic and foreign experts and scholars on Mo Yan "sandalwood punishment research and interpretation > results, and put forward the research direction on this basis. In the narrative, we found that Mo Yan Chinese on the expression of traditional culture, from the perspective of the performance of the dynamic variation Chinese traditional culture. From the narrative voice visible, this happened inside it It is not the traditional feudal etiquette, these events is the performance variation of China traditional culture. Therefore, this paper focuses on the traditional culture of "sandalwood punishment > variation of narrative. The second part is the main part of this thesis is divided into three chapters. The first chapter of the novel to describe torture and small said views on torture people < >, interpretation of sandalwood punishment narrative standpoint on cultural variation. The novel borrows money Dingzhi export figures, pointing out that the emperor and Empress Dowager of the executioner's favor and excessive torture is not consistent with the feudal law. Therefore, we see that torture is Chinese variation of traditional culture, the ideal state is not Chinese traditional culture. The novel is dynamically China description of traditional culture, traditional culture is Chinese specific period in specific performance, namely the cultural variation. The second chapter mainly explains the cultural variation in characters. Culture is shaping people's strong < >, Tanxiangxing deep describes the hero image constructed by various cultural variation singular. These characters of the action and further promote the cultural variation, novels reflect the social situation at that time. The third chapter mainly analyzes the "sandalwood punishment > text narrative strategies and the implied reader of singular requirements. The story of cultural variation, Mo Yan took the same singular narrative strategy. He used the narrative framework Chinese traditional storytellers, and with western modern fiction narrative, the two together, showed his superb narrative skills. Innovative narrative means require the reader wholeheartedly attitude and affinity listen to the story of folk culture, the implied reader puts forward the idea of two aspects, one is the ability to think independently of the readers; one is the rational treatment of torture to read description . the third part is the conclusion. < > sandalwood punishment in various aspects of the interpretation of the traditional culture, the traditional culture of Mo Yan contains both the pathological changes of the criticism, but also on the part of the continuation of the essence of traditional culture. The narrative praise sandalwood punishment > show that in an era of mainstream culture in culture positive, Chinese more in the spirit of folk culture. Thus, we can see the folk culture cultivated character still has great vitality, which also saw Chinese culture to regain healthy development possibilities. "Sandalwood punishment is not Mo Yan > show torture, not by violence and attract readers. It is important to meditation on Chinese culture readers lesions, thinking of our culture in the process of dynamic culture, explore the healthy development of our contemporary culture in the future.

【学位授予单位】：闽南师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.42

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