论先唐丽人赋“由容及情”的书写模式

发布时间：2018-01-18 12:38

  本文关键词：论先唐丽人赋“由容及情”的书写模式　出处：《湖北社会科学》2017年08期 　论文类型：期刊论文

  更多相关文章： 丽人赋 由容及情 赋体 骈句 物哀

【摘要】：丽人赋是指以美丽女子为题材的赋。丽人赋"由容及情"的书写模式是指赋文前部描摹丽人容貌仪态,后段抒发喜怒哀乐诸般感情。先唐丽人赋大都遵循这一模式,与同一作者的其他赋作存在明显差异。丽人仪容描写的成因和艺术高度既决定于赋体的性质,又得益于骈句入赋的助推和人物对称之美的表现需求;爱美之心和物哀之情构成作者情感的起因和两层高度。
[Abstract]:Beauty Fu refers to the beautiful woman as the subject matter of Fu. The writing mode of beauty Fu "from the capacity to emotion" is to describe the appearance of beauty in the front part of Fu. The latter paragraph expresses feelings of joy, anger and sadness. Most of the Fu of the first Tang Dynasty follows this model, which is obviously different from the other works of the same author. The origin and artistic height of the description of beauty's appearance are determined by the nature of the Fu. It also benefits from the promotion of the parallel sentence into the Fu and the expression demand of the symmetrical beauty of the characters. The love of beauty and the sadness of things constitute the cause of the author's emotion and two levels of height.
【作者单位】： 浙江树人大学人文学院;
【基金】：浙江省社会科学联合会项目(17ND17) 浙江省文化厅文化科研项目(ZW2017014)
【分类号】：I207.22
【正文快照】： 清代陈元龙所编《历代赋汇》外集收“美丽”类赋作,自先秦宋玉《高唐赋》始,至明代钱文荐《爱妾换马赋》止,均以美丽女子为观照对象抒发情感,篇名有以神女、丽人、丽色等体物之称,亦有定情、协初、闲情等抒情之名,说明这类赋作兼具体物和抒情的双重特点,下文为限定范围以便论，

本文编号：1441025