晚宋“骚雅”词论与江西诗学

发布时间：2018-01-21 12:23

本文关键词： 晚宋词学《词源》骚雅江西诗学词风转型　出处：《南京师大学报(社会科学版)》2017年05期 　论文类型：期刊论文

【摘要】：张炎《词源》是晚宋最为重要的词学专论,在"清空"、"质实"、"骚雅"、"意趣"等原创词学范畴中,"骚雅"是对南宋以来尚雅之风复炽现象最为直接的理论回应,也反映出苏轼、辛弃疾之后,词坛在趋时通变背景下出现的以江西诗学为核心、以诗为词的风格转型。在江西诗学与两宋特别是晚宋词学词风的交叉视野中,可以从诗骚以来的诗教传统、清刚峭拔的诗境格调、"活法"建构的诗性语言三个层面看到江西诗学对"骚雅"词论的深刻影响。
[Abstract]:Zhang Yan's etymology is the most important monographs of ci in the late Song Dynasty, in the category of original etymology, such as "Qingqian", "quality and reality", "elegant", "interest" and so on. "Sau Ya" is the most direct theoretical response to the phenomenon that Shang Ya has become more and more incandescent since the Southern Song Dynasty, and it also reflects that after Su Shi and Xin Qiji, Jiangxi poetics is the core of the ci poetry under the background of the trend of time and communication. In the cross view of Jiangxi poetics and the late Song ci style, it can be seen from the poetic teaching tradition since poetry and the style of poetic conception in Qing Dynasty. The three levels of poetic language constructed by Livfa see the profound influence of Jiangxi poetics on the ci theory of "elegant".
【作者单位】：江南大学人文学院;
【基金】：教育部人文社科规划基金项目“张炎词编年笺证”(15YJA751024)阶段性成果
【分类号】：I207.2
【正文快照】： 张炎(1248—1321?)是宋元之际的重要词人与词论家。其《词源》与沈义父《乐府指迷》、陆辅之《词旨》确立了“雅词在南宋词的正宗地位”a,被类归于晚宋词学。张炎与周密、仇远、王沂孙等人都是入元遗民,因传承南宋余韵,同样被归为晚宋词人。《词源》提出了“清空”、“质实”

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