钱锺书、杨绛幽默风格比较

发布时间：2018-02-01 00:37

本文关键词： 钱锺书杨绛幽默风格　出处：《四川师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：幽默是一种观察世界的角度,是一种写作方式,是现实和艺术领域共同拥有的审美风格。钱锺书和杨绛两位大家的叙事作品都体现出较浓的幽默性,他们借助故事情节的设置,人物形象的塑造、修辞手法的巧妙运用等,形成了独具个人风格的幽默特性。论文以钱锺书和杨绛的叙事类文学作品为研究对象,以幽默艺术为分析角度,通过对两位文学作品的比较探究,发现两位作家的幽默风格及隐藏在幽默之中的深层思考。在分析比较中,钱锺书和杨绛都擅长将目光锁定在中国现代知识分子及市民身上,通过对这些人物的塑造和情节的设置,展现出上个世纪知识分子虚伪、自卑、自负的一面。在呈现过程中,钱锺书始终以激烈的情绪注视笔下的人物,并对人物进行品评,通过品评形成一种主观介入式的幽默。杨绛则以客观的态度描摹笔下的人物,并对人物进行漫画式勾勒,取搞笑的绰号,这种幽默是客观观照式的幽默。在情节设计上,钱锺书故意激化矛盾,使故事涌向不可逆转的高潮,让读者在人物的窘态、尴尬中获得与作者心领神会的幽默感。杨绛则喜欢化解矛盾,用转折的方式使高潮淡化,化解人物的尴尬,给人物一个好的结果,和读者形成一种默契性的幽默感。在修辞运用上,钱锺书善于借助比喻表达对人、事、物的态度和情感,同时,他偏于选择新奇而有内涵的喻体,设喻新鲜,不落俗套。杨绛则以最朴实的方式和手段,借助喻体的生动性客观地反映笔下的世界,同时,她偏于选择常见之物作为喻体,给人亲切自然之感。同时,钱锺书的反语运用偏于讽刺性,杨绛的反语运用偏于趣味性。钱锺书的幽默是凌厉的,杨绛的幽默是温柔的。两人的幽默风格不同,钱锺书的幽默风格是咄咄逼人、汪洋恣谑、新奇警策的,杨绛的幽默风格则是温柔敦厚、含而不露、自然本色的。钱锺书、杨绛风格的形成和自身的家庭环境、学识背景、性别特性和人生观密切相关,也是这些因素使钱、杨二人在幽默风格上大相径庭。
[Abstract]:Humor is an angle of observing the world, is a writing way, is the aesthetic style shared by reality and art field. The narration works of Qian Zhongshu and Yang Jiang both embody a strong sense of humor. With the help of the setting of story plot, the portrayal of characters and the skillful use of rhetoric, they have formed the humorous characteristics of their own individual style. The thesis takes Qian Zhongshu and Yang Jiang's narrative literary works as the research objects. From the perspective of humor art, through the comparative study of the two literary works, the author finds out the humor style of the two writers and the deep thinking hidden in the humor. Qian Zhongshu and Yang Jiang are good at focusing their attention on Chinese modern intellectuals and citizens. Through the shaping of these characters and the setting of plot, the intellectuals in 0th century are hypocritical and inferiority. In the process of presentation, Qian Zhongshu always looks at the characters with intense emotion, and comments on the characters. Through the evaluation of the formation of a subjective intervention style of humor, Yang Jiang with an objective attitude to describe the characters, and the characters caricature outline, take the nickname of funny. In the plot design, Qian Zhongshu deliberately intensifies the contradiction, makes the story to the irreversible climax, lets the reader in the character's embarrassment. Yang Jiang likes to resolve the contradiction, make the climax desalinate with the way of turning point, dissolve the embarrassment of the character, and give the character a good result. In rhetorical application, Qian Zhongshu is good at expressing his attitude and emotion to people, things and things with the help of metaphor. At the same time, he tends to choose novel and intension vehicles. Yang Jiang, with the most simple ways and means, objectively reflects the world in her writings with the help of the vividness of the vehicle. At the same time, she prefers to choose the common things as the vehicle, giving people a kind and natural feeling. At the same time. Qian Zhongshu's irony is more sarcastic, Yang Jiang's is more interesting. Qian Zhongshu's humor is harsh, Yang Jiang's humor is gentle. The two people's humor style is different. Qian Zhongshu's humorous style is aggressive, Wang Yang is unassuming, novel cautionary, and Yang Jiang's humorous style is gentle and honest, containing but not revealing, natural. Qian Zhongshu, the formation of Yang Jiang style and his own family environment. Knowledge background, gender identity and outlook on life are closely related to these factors.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.7

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