《水浒传》中李逵形象生成史

发布时间：2018-02-04 17:05

本文关键词： 李逵历史演变形象特点影响　出处：《渤海大学》2017年硕士论文　论文类型：学位论文

【摘要】：李逵形象因水浒故事为人熟知,几乎贯穿水浒故事的发展始末,其人物特性也未因故事推演而削弱,原因便是其独特的艺术魅力。李逵形象塑造以及水浒故事创作并非作家独立完成,而是历经诸多时代累积后,最终才渐趋成熟。宋代李逵形象始见于史书典籍及其他作品中,可视为李逵形象演变过程的萌芽与雏形阶段。史书典籍中对于李逵形象略有涉及,文学作品中也有较为简略的介绍,也成为后世创作的滥觞。由于文献资料有限,对宋代李逵形象的研究便关注于代表性的史书典籍和文学作品。到了元代,李逵形象集中表现于元杂剧中的水浒杂剧部分。水浒杂剧是元杂剧的重要组成部分,李逵是水浒杂剧中极具代表性角色,因此重点放在与李逵相关的水浒杂剧中,分析李逵独特的外在形貌和性格特征等方面。同时将元代水浒杂剧中李逵形象与《水浒传》中相对比,以求更清晰把握其时代特征和艺术魅力。元代是水浒故事演变历程中承上启下阶段,也可视为李逵形象生成的过渡时期。明清时期,小说创作发展到顶峰,《水浒传》更是其中的扛鼎之作,李逵形象也得以成熟展现,因此这一时期的李逵形象研究便主要以《水浒传》为对象。介绍李逵的形象特征和塑造背景,分析其独特的性格特征,并通过情义英雄,粗蛮莽汉和趣味丑角三种形象来展现。在《水浒传》成书与流传之后,明清时期有诸多水浒续作在模仿的基础上力图推陈出新,或抒发己见而进行创作,这一时期可视为《水浒传》的后续影响阶段。同时,李逵形象也体现出鲜明的时代特性和独特的创作意图。本文按照历史脉络并结合文本作品来探究李逵形象的生成演变,系统的展现其生成历程,并对于整体性把握水浒故事演变也有一定参考价值。
[Abstract]:The image of Li Kui is well known because of the story of the Water margin, almost throughout the development of the story of the Water margin, its character characteristics have not been weakened by the story. The reason is its unique artistic charm. The creation of Li Kui's image and the story of the Water margin is not completed by the writer alone, but after many times accumulated. The image of Li Kui in Song Dynasty was first seen in the history books and other works, which can be regarded as the embryonic and embryonic stage of the evolution process of Li Kui's image. Due to the limited literature, the study of Li Kui's image in Song Dynasty focused on the representative historical books and classics and literary works. Li Kui's image is concentrated on the part of Water margin Zaju in Yuan Dynasty Zaju. Shuihu Zaju is an important part of Yuan Zaju, and Li Kui is a representative role in Shuihu Zaju. Therefore, it focuses on the Shuihu zaju related to Li Kui, and analyzes Li Kui's unique external appearance and personality characteristics. At the same time, the image of Li Kui in the Shuihu zaju in Yuan Dynasty is compared with the "Water margin". In order to grasp its characteristics of the times and artistic charm more clearly. The Yuan Dynasty is the stage of the evolution of the story of Water margin, it can also be regarded as the transitional period of the formation of Li Kui's image. In the Ming and Qing dynasties, the novel creation developed to the peak. "Water margin" is one of the works of carrying the tripod, Li Kui image can also mature to show, so the study of Li Kui image in this period will mainly take "Water margin" as the object, introduce the image characteristics and shaping background of Li Kui. Analysis of its unique personality characteristics, and through the love and righteousness hero, rough and wild man and interesting clown three images to show. After the "Water margin" into a book and spread. During the Ming and Qing dynasties, many successive works of Water margin tried hard to bring forth new ideas or express their own opinions on the basis of imitation. This period can be regarded as the follow-up influence stage of Water margin. At the same time. The image of Li Kui also reflects the distinctive characteristics of the times and unique creative intention. According to the historical context and combined with the text works to explore the generation and evolution of Li Kui's image, and systematically show its formation process. And for the overall understanding of the evolution of the story of Water margin also has a certain reference value.
【学位授予单位】：渤海大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.412

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