乾隆朝诗学史研究的问题与方法

发布时间：2018-03-07 05:10

本文选题：乾隆朝　切入点：诗学史　出处：《武汉大学学报(人文科学版)》2017年06期 　论文类型：期刊论文

【摘要】：乾隆一朝是清代文化、学术最繁荣的时期,也是诗学最发达的时期,诗论家众多,诗派林立。社会富庶,君主右文,科举恢复试诗,幕府争揽贤才,形成普遍的诗歌风气。而浓厚的学术风气在给予诗歌强烈刺激的同时,也挤压着诗歌生活的空间,带来性情与学问的紧张。原有的格调诗学走向总结和综合,试帖诗学推动蒙学诗法的复兴,新起的性灵诗学和肌理诗学从不同方向为弥补神韵诗学的缺陷而各辟新途,桐城文派、高密诗派从不同的文学传统中发展出各自的诗学观,强化了乾隆诗学整体上的多样化格局和丰富的诗学理论,使乾隆诗学史的研究面临前所未有的复杂性。本文在总结、反思前期成果的基础上,提出以时间线索为经、以流派为纬的研究思路,力求以一个清晰、合理的格局展开对乾隆朝诗学史的论述。
[Abstract]:Qianlong was the period of Qing culture, the most prosperous academic period, and the most developed period of poetics. Poetry theorists were numerous and poetic schools were numerous. The society was rich, the monarch was writing in the right language, the imperial examination resumed the trial of poetry, and the shogunate fought for talent. The strong academic atmosphere not only gives a strong stimulus to poetry, but also squeezes the space of poetry life and brings tension of temperament and knowledge. The original style of poetics tends to sum up and synthesize. In order to make up for the defects of rhyme poetics, the new poetic schools of Tongcheng and Gaomi developed their own poetics views from different literary traditions. It strengthens the diversity pattern and abundant poetics theory of Qianlong poetics, and makes the study of Qianlong's poetics history face unprecedented complexity. This paper tries to expound the history of the Qianlong Dynasty poetics with a clear and reasonable pattern.
【作者单位】：华南师范大学文学院;
【基金】：国家社会科学基金一般项目(12BZW051)
【分类号】：I207.22

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