欧阳修词新变研究

发布时间：2018-03-09 06:14

本文选题：词　切入点：欧阳修　出处：《东南大学》2016年硕士论文　论文类型：学位论文

【摘要】：北宋是词蔚为大观的时代,尤以仁宗朝最为瞩目,欧阳修在词的“尊体”之路上具有筚路蓝缕之功。本文采用文史结合法,将文学与史学相结合,通过对欧词题材、艺术手法的探析,剖析了他种种新的创作尝试,并将这种变化放在北宋大环境下讨论,揭示欧词在整个词史中的地位,通过对欧词新变的表现、原因、影响的探析,来探寻词这一文学体裁的发展之路。其次探讨北宋士大夫阶层的生存状态,以及儒学复兴和诗文革新对词学风貌构成的潜在影响。全文共分为绪论、第一至四章、结语共六个部分。第一章首先介绍了词到北宋前的发展历史和发展状况,揭示了欧阳修所面临的历史背景。其次从欧词的题材入手,分析他对既有题材的挖掘、创新和对新型题材的开拓,欧阳修早年以传统题材创作为主,兼有个人突破,晚年则以新兴的景物词、抒怀词为主题材上的突破是欧词新变的第一大方向。第二章介绍了欧词在艺术手法上的创新。通过语言风格来探析他对既往语言的突破,分为两种趋势：一是诗化,二是俚俗。同时分析了他运用诗法入词,归纳出欧阳修词作艺术手法的创新。第三章分析了欧词中表现出的诗化意境。首先欧词中的意境接近于诗,比前人更完整、更精美。其次,也是最重要的部分,欧词开始展露了“宋型士大夫”的独特情怀,这包括主体意识的显现和士大夫情趣、抱负的流露。第四章通过对历史文化背景的分析,探究欧词呈现新型特征的原因,对宋代文学背景、新特征以及欧阳修个人遭际影响进行分析,来梳理词在“尊体”道路上的脉络。其次,介绍了欧词出现之后,文坛发生的微妙改观,即“情志分流”现象的出现。结语部分笔者对欧词新变的前提、具体表现、推动原因、影响后果进行了梳理。比之前代,欧词展现出更为高远的阔大境界和主体情志。士大夫主体性意识的树立,使他在词中直抒胸臆,为自我代言。笔者以欧词变化为起点,梳理出词在顶峰之前的状态,挖掘出“宋调”之下诗词交义影响的关系。
[Abstract]:The Northern Song Dynasty was the time when ci was a great sight, especially in Renzong Dynasty. Ouyang Xiu had a painstaking effort on the road of "respecting the body" of ci. This paper adopted the method of combining literature and history, combining literature with history, and through the theme of European ci. Through the analysis of his artistic techniques, this paper analyzes his various new creative attempts, and discusses this change in the context of the Northern Song Dynasty, revealing the position of European ci in the whole history of ci, and through the analysis of the expression, reason and influence of the new change of European ci. To explore the development of ci as a literary genre. Secondly, to explore the survival of the literati and bureaucrats in the Northern Song Dynasty, and the potential impact of the revival of Confucianism and the innovation of poetry and prose on the style and features of ci. The full text is divided into an introduction, chapters one to four. The first chapter introduces the history and development of ci before the Northern Song Dynasty, and reveals the historical background that Ouyang Xiu faces. In his early years, Ouyang Xiu focused on the creation of traditional themes, with personal breakthroughs, and in his later years he used new scenery words. The breakthrough in the main theme of expressing ci is the first major direction of the new change of European ci. The second chapter introduces the innovation of European ci in artistic techniques. Through the analysis of his language style, there are two trends: one is poetic, the other is poetic. The second is vulgar. At the same time, the author analyzes the innovation of Ouyang Xiu's artistic technique in ci writing by using the poetic method. Chapter three analyzes the poetic artistic conception in European ci. First, the artistic conception in European ci is close to poetry, which is more complete than that of predecessors. Second, and also the most important part, European ci began to reveal the unique feelings of the "Song Scholars and officials," including the manifestation of the subjective consciousness and the taste of the literati and officials, and the exposition of ambition. Chapter 4th, through an analysis of the historical and cultural background, This paper explores the reasons for the new features of European ci, analyzes the literary background, new features and personal influence of Ouyang Xiu in Song Dynasty, to sort out the context of ci on the road of "respecting the body". Secondly, it introduces the appearance of European ci. The subtle change in the literary world is the appearance of the phenomenon of "emotional diversion". In the conclusion part, the author sorts out the premise, the concrete performance, the cause and the effect of the new change of European words. European ci shows a higher and broader realm and subjective feelings. The establishment of the literati's subjective consciousness makes him express his feelings directly in his ci, which is self-endorsing. The author, starting from the change of European ci, combs out the state of ci before the peak. Excavating the relationship between the influence of poetry and ci under Song tune.
【学位授予单位】：东南大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：I207.23

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