“借镜西方”与“本来面目”——朱自清文学鉴赏观念的理论取径及其思想意涵

发布时间：2018-03-16 07:13

本文选题：朱自清　切入点：文学鉴赏　出处：《文艺理论研究》2017年02期 　论文类型：期刊论文

【摘要】：以往研究主要肯定了朱自清在现代解诗学、文学批评、文学研究学科化等方面的意义,多强调瑞恰慈、燕卜逊的语义学批评对朱自清鉴赏实践的方法论启示。但是,后五四时代的特定历史脉络表明,朱自清并非"为鉴赏而鉴赏""为知识而鉴赏",而是出于新旧文化政治冲突的焦虑而关注鉴赏教育。朱自清与顾随、朱光潜之间的两次文学事件,隐现出了朱自清在文学鉴赏的理论构建取径上的独特性:重分析轻趣味,重语义轻心理,最终兼重历史分析与审美分析。面对西方理论的接受选择,传统鉴赏诗学在朱自清的自我理解中以扬弃的方式起到了奠基性作用。为现代中国大众的人生而文学,是朱自清文学鉴赏观念的真正思想意涵。
[Abstract]:Previous studies have mainly affirmed Zhu Ziqing's significance in modern understanding of poetics, literary criticism, and the subjectivization of literary research, emphasizing the methodological implications of semantic criticism by Richades and Yanbsen on the practice of Zhu Ziqing's appreciation. The specific historical context of the post-May 4th era shows that Zhu Ziqing is not "appreciating for the sake of appreciation" and "appreciating for knowledge", but is concerned about appreciation education out of the anxiety of the political conflict between new and old cultures. The two literary events between Zhu Guangqian have revealed the uniqueness of Zhu Ziqing in the theoretical construction of literary appreciation: emphasis on analysis, light on taste, emphasis on semantics, and less on psychology, In the face of the accepted choice of western theories, the traditional poetics of appreciation played a fundamental role in Zhu Ziqing's self-understanding. It is the true ideological implication of Zhu Ziqing's concept of literary appreciation.
【作者单位】：中山大学中文系;
【基金】：教育部人文社科基地重大项目“中国文学艺术思想通史·现代卷”[项目编号:13JJD750003]子课题的研究成果
【分类号】：I206.6

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