论“传统小说”在当代新疆的“超稳定性结构”——以李健长篇小说《木垒河》为例

发布时间：2018-03-16 17:07

本文选题：木垒河　切入点：小说界　出处：《小说评论》2017年02期 　论文类型：期刊论文

【摘要】：正李洁非在《传统小说和传统风格》中写到的:过去的多年间,我颇为热衷于在自己的批评活动中"批判"传统小说,宣称这类作品在艺术上已经死亡,藉此而向现代小说表示赞美之情。显而易见,这种立场并非偶然的个人立场,应该说,它是一个时期(主要是1958年)以来中国小说界事实上的普遍立场。"我们的美学判断究竟听命于什么?是我们内心禀自美感直觉的真实感受,还是时代外加于我们理念的价值取向?如果这样的问题是从纯理论角度提出来的,那么我们当然会不假思索地选择前
[Abstract]:As Li Jiefei wrote in "traditional novels and traditional styles": over the years, I have been keen to "criticize" traditional novels in my own critical activities, claiming that such works have died in art. To praise the modern novel. It is obvious that this position is not an accidental personal position, it should be said, It has been the de facto universal position of the Chinese fiction world since a period of time (mainly in 1958). "what are our aesthetic judgments subject to?" Is it the true feeling of our inner aesthetic intuition, or the value orientation of the times plus our ideas? If such a question is posed from a purely theoretical point of view, then we will of course choose the first question without thinking about it.
【作者单位】：新疆文联;
【分类号】：I207.425

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